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“I think you will agree that I am alive in every part of this book; turn back twenty, thirty, one hundred pages - I am back there. That is why I hate the story; characters are not snakes that they must shed their skins on every page - there can only be one action: what a man is. When you have understood this, you will be through with novels.”

“It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.”

“Music is important. It says things you heart can't say any other way, and in a language everyone speaks. Music crosses borders, turns smiles into frowns, and vice versa. These observations are shared with a hope: that, when schools cut back on music classes, they really think about what they're doing - and don't take music for granted.”

“I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.”

“At the approach of danger two voices speak with equal force in the heart of man: one very reasonably tells the man to consider the nature of the danger and the means of avoiding it and the other, even more reasonable, says that it is too painful and harassing to think of the danger... better to turn aside from the painful subject till it has come, and to think of what is pleasant. In solitude a man generally yields to the first voice; in society to the second.”

“One of my first experiences with the space program was with the memorial that was built for the Challenger. When I was in 7th grade my entire class spent the entire school year preparing to launch a spaceship all together. We all had our different jobs that we had to learn how to do, we learned the math that you needed, we learned the practical skills that you needed, and I thought that was really cool. So I think that if you can take a tragedy and find the gold in it and turn it into something positive, that's great.”

“Sometimes events that lead us bereft of anything but grief just happen for no reason other than happenstance--a car turns left instead of right, a train is missed, a call comes too late--and the real test of our humanness is whether, in light of that knowledge, we are ever able to recover. When we again find our way despite the inability to manufacture a deeper meaning in our suffering, that I think is when God smiles upon us, proud of the strength of his creation.”

“Thinking isn't something you think about. It comes naturally. Thinking involves many things. It involves being an observer. It involves analyzing things, taking in what's around you in the world and finding how to make it inspire your work or turn it into a lesson to teach your children; it's paying attention to details. That's what thinking is: processing.”

“Sometimes the most interesting visual phenomena occur when you least expect it. Other times, you think youre getting something amazing and the photographs turn out to be boring and predictable. So I think thats why, a long time ago, I consciously tried to let go of artists angst, and instead just hope for the best and enjoy it. I love the journey as much as the destination. If I wasnt a photographer, Id still be a traveler.”

“The uncommon man has done the impossible and there has been that much more light in the world because of it. Children respond to heroes by thinking creatively and sometimes in breaking beyond the bounds of the impossible in their turn, and so becoming heroes themselves.”

“My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination... I think we're going to have a real good record.”

“I think the hard thing about this job [stand-up] I mean, I think this part is great but that the traveling is y'know, 'cause 'cause I'm gone a lot from home and this time I'm out for three-and-a-half weeks without going home, and that's hard, to be gone three-and-a-half weeks 'cause then I have to ask my friends, "Would you mind going to the house and watering the plants, and turn some lights on and make it look like somebody's home, and make sure that the mobile over the crib isn't tangled or the baby's gonna get bored.”

“I am unable, when I turn to myself, to recognize any of my faculties or my capacities. The inner sensation which I have of myself informs me that I am, that I think, that I will, that I have sensory awareness, that I suffer, and so on; but it provides me with no knowledge whatever of what I am - of the nature of my thought, my sensations, my passions, or my pain - or the mutual relations that obtain between all these things ... I have no idea whatever of my soul.”