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“I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Eddie Murphy growing up.”

“Let observation with extensive view, Survey mankind from China to Peru; Remark each anxious toil, each eager strife, And watch the busy scenes of crowded life.”

“One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.”

“Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to.”

“Just keep acting is my plan, I just want to keep going for as long as I can. I've had a fantastic time on Potter, I will be very sad to leave it because every time I look back on one of these films, every scene I watch will be forever linked to a memory of what happened that day or something that was happening around that time in my life.”

“In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.”

“I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.”

“In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.”

“When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.”