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Abigail George Biography

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“Woman lost (skin deep) like a damn fine thread in the fire Woman of the world caught up in your black machinations I was a woman who cried alone at night, who gave it all away when she saw the good heart of the man inside Woman caught standing up; her open parts are broken - Someone's armour broke right through, it was you, you For some reason I've been thinking about you, your light Today, you poured out all the tension, the ego underground Hibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walked Away from the flame in your arms. As I put away the fun in A house of fight I came across you and a mechanism in My brain shifted chemically, walls caved in like the cadence In your words and I was lost in the darkness. Even now in Middle age I remember when desire was a popular drug And everyone was selling it but I don't live to explore to be Able to illuminate the proof of my existence, live to burn Vicariously though the diamond mouth of sleeping stars. From so much love, pictures of death arrived in black and White photographs and you're perfect, you always were - Illusions have no flaws; they're dangerous beings, smoke. Could I take the moon back and still live with my great Expectations of nostalgia, laughter, tears and suffering - But they are all a part of me not the people of the stars, Long dead videotape, the past has stained the symphony Of my soul (like the wind through the trees) throughout Me finding myself, my two left feet as a female poet The warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her. When men grow cold listen to their stories and bask in The glory of their genuine deaths, their winters, put Them away so you can read them like the newspaper. Once in a while you can go back to where you stood In youth with your afternoon tea, the sun of God in our Eyes - I am that kind of woman who lives in the past”

“War and peace. There are blurred lines in the realities of both. A separation anxiety as the paradigm shifts from the air that a sniper wears on his face (real life, entertainment for the masses or the propaganda machine you decide), to the blueprint of an assassination in a driveway (Chris Hani lying in a pool of his own blood). You know that we cannot eat stones but we can burn, butcher, necklace, murder, forcibly remove and displace entire families, races of different faiths in the name of apartheid. Nelson Mandela, Steve Biko and Chris Hani instruments of change, war, tolerance or peace. The Romantics got it right before anyone else did. Truth is beauty. The truth is South Africa is not cool anymore.”

“As George Orwell said, it is not easy to become sane. For South Africa, perhaps it will take as many lifetimes as we have tried to put between the present and the Dutch East India Company. There are many minds if you take a good look. Eventually in the same way the measure of loss and grief does, karma will catch up with all of us. Post-apartheid South Africa is not more enlightened than her sister apartheid South Africa. You may know nothing but tell me what you feel when you think, see, act, respond and sense. What corresponds with thought, sight, action, response and your intuition? (The warrior plunders on) racism is especially a majority shareholder at all levels. We forget that it is a privilege to live in a post-apartheid South Africa.”

“Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment.”

“Sometimes the words come like a tsunami; tidal and windswept they blind you to your weaknesses and it is difficult to keep up with the process. The poet often questions where this 'voice' comes from. Who lifted the visor that covered this once locked Pandora's Box that gave rise to this flight of manic panic? When it feels as if there is too much going on and it is hard to put a stop to it; go with it; go with the incessant flow and ebb although it is not always posed gracefully. There will be enough time afterwards to vet everything, get through your nonsensical thoughts, every void and every streak of dissonance left behind with a fine tooth comb. Poets must always strive to dismantle frantically omens and discover fitting miracles to create an opus of thoughts and feelings. It is easy for a poet to become imperious. This will always show up in the writing. It is unavoidable. Truths must marry godheads on the page. No poet is inexhaustible. When fatigue comes as it must, it must be diagnosed. We must always strive towards the glorified.”

“Youth. Murder (Biko). Slavery. Freedom. We are all creatures of ignorance at the end of the day. The natural order of the hierarchy of life states that we are creatures. Creatures of habit whether it is normal (following the status quo and all of that jazz). Creatures of marching orders and almost sanitary routine. Creatures of the abnormal. Our leaders are coldly obliterating the past. It is impossible to destroy nations, tribes, individuals without their permission. Many lessons learned from the past come to life like the connect the dots game of a child in a museum. We are swift to forget history. Bury the past like yesterday’s newspaper, our infirm and elderly in nursing homes.”

“Poets must be grounded in the education of the arts, drama, history, mysticism, esotericism, and philosophy. To gain knowledge and become learned of the above is easy - read. Poets should apply this knowledge to their work, so a poet will advance to the next level, to their next phase of their emotional, psychological and spiritual development, growing in years in a short space of time, in hours or months if he or she is an avid reader. This knowledge will birth work that is not meretricious but of noble parentage.”