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Adam Kirsch

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“It may seem paradoxical that opposing what one scholar calls "the slow violence of settler colonialism" should lead people to celebrate the quick violence of terrorism. But part of the appeal of radical ideologies, of the right and the left, is that they make violence virtuous. And October 7 marked the moment when settler colonialism emerged into public view as the watchword of a new ideology, one that is already influencing the way many Americans think about their country and the world.”

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Book:On Settler Colonialism: Ideology, Violence, and Justice
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“But there is a great difference between Fanon's bloody knives and Sartre's bloody scalpel. True decolonization movements, from the American Patriots of the 1770s to the FLN in the 1950s, used actual violence to drive out their oppressors. Intellectuals who use the language of settler colonialism to critique their own society, in contrast, have no mass movement at their back. That has been the predicament of the ideology of settler colonialism from the beginning: everyone knows that calls to "eradicate," "kill," or "cull" settlers can only be metaphorical, so there is no need to put a limit on their rhetorical ferocity. But what if there were a country where settler colonialism could be challenged with more than words? Where all the evils attributed to it--from "emptiness" to "not-enoughness" to economic inequality, global warming, and genocide--could be given a human face? Best of all, what if that settler colonial society were small and endangered enough that destroying it seemed like a realistic possibility rather than a utopian dream? Such a country would be a perfect focus for all the moral passion and rhetorical violence that fuels the ideology of settler colonialism. It would be a country one could hate virtuously--especially if it were home to a people whom Western civilization has traditionally considered it virtuous to hate.”

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Book:On Settler Colonialism: Ideology, Violence, and Justice
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“In the 1970s, for example, I found myself learning to relish the poetry of Andrew Marvell and Sir Thomas Wyatt, and getting a handle on poetry of plainer speech than I had dwelt with heretofore. Which led me into a new appreciation of middle [William Butler ] Yeats, of the short three-beat line and forward-driving syntax, and that paid in, in turn, to a poem like Casualty in Field Work. The traffic, however, was usually the other way. My teaching was animated by what I was reading and being excited by as a poet.”

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Author:Adam Kirsch
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