“Could we bring ourselves to feel what the first spectators of an Egyptian statue, or a Romanesque crucifixion, felt, we would make haste to remove them from the Louvre. True, we are trying more and more to gauge the feelings of those first spectators, but without forgetting our own, and we can be contented all the more easily with the mere knowledge of the former, without experiencing them, because all we wish to do is put this knowledge to the work of art.” FeelsTryingFirstsArtFeelingsWishFeltForgetMereFormerRemoveWorks Of ArtStatuesSpectatorsHasteCrucifixionEgyptianGaugesLouvre Author:Andre Malraux
“History may clarify our understanding of the supreme work of art, but can never account for it completely; for the Time of art is not the same as the Time of history.” MayArtUnderstandingArt IsAccountsSupremeWorks Of Art Author:Andre Malraux
“Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism.” ArtMadeEarthLeftDarkStruggleMaterialsResponseChaosAncientCharacteristicsReliefWorks Of ArtScarWornRemindersRevealingStatuesThrustDeterminismUnderworldBronzeMutilation Author:Andre Malraux
