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“Romance wasn't in chocolate, it was in the gasp of breath as we came up for air. It was in the way he cradled my face, the way I traced my finger over the crescent-shaped birthmark on his collarbone. It was in the way he muttered how beautiful I was, the way it made my heart soar. It was in the way I wanted to know everything about him - his favorite songs, finally guess his favorite color.”

HeartBeautifulRomanceChocolateFavoriteThe Seven Year Slip
Book:The Seven Year Slip
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“And when I snagged his lip again, he groaned and held on to me tighter, breaking apart just long enough to growl, "Gentle, sweetheart," before he kissed me again. And fuck, I didn't know if it was his main character magic, or the fact that I'd never been called sweetheart with such hunger, but it burned deep in my middle, below where the butterflies had burrowed and lain dead for years. His heroine could have him tomorrow. I wanted to have him now, this second, in my m---”

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Book:A Novel Love Story
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“it felt like permission. The kind I hadn't let myself have for six months. The kind of permission that I'd been waiting for, as I sat alone in my aunt's apartment, and grief welled up so high it felt suffocating. The permission I thought I'd given myself, but it hadn't been permission to cry - it had been a command to be strong. To be okay. I told myself, over and over, I had to be okay. And finally - finally - someone gave me permission to come undone.”

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Book:The Seven Year Slip
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“Maybe she liked Van Gogh's work for other reasons, too. Maybe she liked how he created things while never knowing his own value. Maybe she liked the thought of being imperfect, but being loved anyway. Maybe she felt some sort of kinship with a man who, for his entire adult life, warred with his own monsters in his head. Vincent Van Gogh's last words were, after his brother comforted him by telling him he would get better from the self-inflicted gunshot wound to the chest, "La tristesse durera toujours", "the sadness will last forever".”

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Book:The Seven Year Slip
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“I missed her every day. I missed her in ways I didn't yet understand—in ways I wouldn't find out for years to come. I missed her with this deep sort of regret, even though there was nothing I could have done. She never wanted anyone to see the monster on her shoulder, so she hid it, and when she finally took the monster's hand, it broke our hearts. It would keep breaking our hearts, everyone who knew her, over and over and over again. It was the kind of pain that didn't exist to someday be healed by pretty words and good memories. It was the kind of pain that existed because, once upon a time, so did she. And I carried that pain, and that love, and that terrible, terrible day, with me. I got comfortable with it. I walked with it. Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could. And I would never wish this pain on anyone.”

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Book:The Seven Year Slip
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“...It felt like permission. The kind I hadn't let myself have for [six months]. The kind of permission I'd been waiting for, as I sat alone in [her] apartment in grief, welled up so high, it felt suffocating. The permission I thought I'd given myself. But it hadn't been permission to cry. It had been a command to be strong. To be ok. I told myself over and over, I had to be ok. And finally, finally! Someone gave me permission to come undone.”

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Book:The Seven Year Slip
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“Jasper frowned at the name. "Like, a meet-cute?" "At the end," I supplied. "It's when Darcy tells Elizabeth he loves her most ardently, when Mark brings Bridget a new diary, when Harry tells Sally he loves her, when Will buys Junie the inn." I smiled up at the name, putting my hands on my hips. "The grand romantic gesture." So, obviously, we named the bookshop the Grand Romantic.”

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Book:A Novel Love Story
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“I'd always written how grief was hollow. How it was a vast cavern of nothing. But I was wrong. Grief was the exact opposite. It was full and heavy and drowning because it wasn't the absence of everything you lost - it was the combination of it all, your love, your happiness, your bittersweets, wound tight like a knotted ball of yarn. - Florence Day”

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Book:The Dead Romantics
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“She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.”

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Book:A Novel Love Story
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“The loft looked different in the daylight. The cushions against the window seat were a bright mango, the hand-embroidered pillows stitched with the same color in blossoming wildflowers. The artisan had painted floral designs on the dresser, on the wardrobe, and around the floor-length mirror. Outside, the rain had given way to verdant foliage and strong redbrick buildings, interspersed with colorful colonial row houses and Victorian homes.”

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Book:A Novel Love Story
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“He finally returned my gaze, and held it. A knot lodged in my throat, because he was closer than I expected, and his eyelashes were darker than I expected, and long, and there was a gray rim around the inside of his irises that looked like crowns of storm clouds surrounding a peridot. His gaze made the butterflies in my stomach shake off their hibernation and want to remember how to flutter again. Oh yes, he had to be the main character. Book boyfriend material, once someone fixed him up. But then: Where was his heroine?”

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Book:A Novel Love Story
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“I paused at the top of the spiral staircase, and soaked in the view. In the daylight, the bookstore took on a new life. Motes of dust danced in the sunlight that streamed through the windows. It looked a lot cozier, as the colored glass window ornaments threw rainbows across the bookshelves and pirouetted across the hardwood floors like flecks of dappled sunlight on sand. Bookcases, filled to the brim, reached up to the ceiling, cluttered with so many colors and kinds of books, short and fat, long and wide, that it almost felt like an assault on the senses. The center of the bookstore was open to the second floor, where tall bookshelves towered so high you had to reach them with ladders. Heavy oak beams supported the roof. Planetariums and glass chimes and other ornaments hung from the rafters, catching the morning's golden light and throwing it across the store. The shelves were made from the same deep oak as the ceiling beams and the banisters on the second floor, signs hanging from the eye-level shelves detailing the different sections of the store: MEMOIR, FANTASY, SCI-FI, ROMANCE, SELF-HELP, NATURE, HOW-TO... This place was beautiful. I wondered, briefly, what it would be like to own a place like this. It was magical. A shop that sold the impossible inked onto soft white paper.”

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Book:A Novel Love Story
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“And then we came to a stop in front of a large yellow Victorian house that sat, so stately, between two brick buildings, like a misplaced Lego piece, overgrown with ivy and bluebells and honeysuckle. The Daffodil Inn looked exactly how I'd imagined. The bed-and-breakfast was fresh and bright, the dentils all painted across the edging on the roof, the corbels replaced, the sawn spandrils and turned spandrils all given proper attention. The bay window was set with a stained-glass daffodil, the same one that encrusted the window in the front door. Around the inn, encasing it like a lovely cage, was a wrought-iron fence overgrown with ivy and honeysuckle that bled into the rose garden that surrounded the house.”

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Book:A Novel Love Story
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