Quotessence
Home / Authors / Audrey Niffenegger
Audrey Niffenegger

Audrey Niffenegger Quotes

Writer

Filter quotes by topic

Famous Audrey Niffenegger Quotes

“When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.”

“I find myself in a dark hallway. At the end of the hall is a door, slightly open with white light spilling around its edges. The hall is full of galoshes and rain coats. I walk slowly and silently to the door and carefully look in to the next room. Morning light fills up the room and is painful at first, but as my eyes adjust I see that in the room is a plain wooden table next to a window. A woman sits at the table facing the window. A teacup sits at her elbow. Outside is the lake, the waves rush up the shore and recede with calming repetition which becomes like stillness after a few minutes. The woman is extremely still. Something about her is familiar. She is an old woman; her hair is perfectly white and lies long on her back in a thin stream, over a slight dowager's hump. She wears a sweater the colour of coral. The curve of her shoulders, the stiffness in her posture says her is someone who is very tired, and I am very tired, myself. I shift my weight from one foot to the other and the floor creaks; the woman turns and sees me and her face is remade in to joy. I am suddenly amazed; this is Clare, Clare old! and she is coming to me, so slowly, and I take her in to my arms.”