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Curtis White

Curtis White Books

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Idea of Home

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“...This is the arena in which a spiritualized disobedience means most. It doesn't mean a second New Deal, another massive bureaucratic attack on our problems. It doesn't mean taking to the streets, throwing bricks through the window at the Bank of America, or driving a tractor through the local McDonald's. It means living differently. It means taking responsibility for the character of the human world. That's a real confrontation with the problem of value. In short, refusal of the present is a return to what Thoreau and Ruskin called "human fundamentals, valuable things," and it is a movement into the future. This movement into the future is also a powerful expression of that most human spiritual emotion, Hope. p.124”

HopeDisobedienceCurtis White
Book:The Spirit of Disobedience: Resisting the Charms of Fake Politics, Mindless Consumption, and the Culture of Total Work
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“Few things in cultural programming in the mass media are quite as disturbing as watching Charlie Rose leaning forward, craning out over his table, peering deeply, on the very precipice of an incisive question sure to reveal a real Idea, a slim, almost excited smile starting to form on his lips as he imagines the dawning joy of the intellectual life revealed for himself and his audience, and we move with the camera, oh-so-sincerely, to his guest and see that all this expectation and anticipation is addressed to . . . Lance Armstrong. Or Ron “Opie” Howard. Or Gary Shandling…..”

Charlie RoseFatuousness
Author:Curtis White
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“The American City was not unlike the first great products of American industrialism itself: the Colt revolver and the Winchester rifle. Gun manufacturing taught American industry about mass production, standardization, and the virtues of interchangeable parts, and the American city that industrialism produced was itself a very big gun: standardized, hugely profitable, and morally indifferent about any victims.”

AmericaIndustrialism
Book:We, Robots: Staying Human in the Age of Big Data
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“Everybody of my generation has the same memory. We were twelve or thirteen or we were twenty-one, for that matter, and we were going to be veterinarians or we were, like Ringo, going to own a hairdresser’s parlor. We walked into the record store and saw the cover of Sgt. Pepper’s Lonely Hearts Club Band. We thought together, 'Life can be other than it has been.”

ChangeMusicRecordsAlbumsVinylJohn LennonThe BeatlesRecord StoreRemember John Lennon
Book:Idea of Home
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“Western Buddhism’s association with the sixties counterculture is being replaced not only by science but by corporations that deploy it in order to enhance their brand, promote “wellness,” reduce sick days and other inefficiencies among their employees, and, of course, create profitable, Buddhist-themed products. This corporate adoption of Buddhism was made safe by science. The business world’s understanding of meditation - and especially the practice of “mindfulness” - is driven not by traditional Buddhist ideas and ethics, but by neuroscience.”

ScienceMeditationBuddhismMindfulnessCapitalismBastardization
Book:We, Robots: Staying Human in the Age of Big Data
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“The most intensely value-laden artifacts of human creativity - works of art - are now the purist examples of that old capitalist alchemy: turning human value into exchange value. At a certain point, and that point has been passed, the art market will only be a mathematical exchange. Art is worth money, but what’s money worth? Money is the ultimate numbers game. What the furor over the art market brings tantalizingly close to the surface is the fact that it is not just the value of art that is dependant on a shared fantasy, it is also money itself. Warhol is not the name of an artist, it is the name of a currency. “Warhol” is a big number because its denomination (soup cans, Brillo box simulacrums, etc.) is presumed to be stable and growing. But it can inflate or deflate like any stock or bond or national currency. Jeff Koons is also a currency but less stable. The only thing that really changes hands are the numbers that are for some reason associated with these opaque talismans called “artworks.” The billionaire buyers of these works have been reduced to South sea natives who insist on the magical properties of certain queer objects - a cornhusk doll with pearls for eyes and a colourful ribbon about its head - but are unable to say why they are so important or why their world would collapse without them. Investors in the art market need to fear bot only the economic boogies of bubbles and ponzi schemes but also that dreaded moment when they look at one another in panic and say, “What were we thinking? What is this stuff? What could have possessed us to say that a glass balloon dog is worth thens of millions? Sell! Sell!”

HumansArtCapitalismEconomicsBubblePonzi
Book:We, Robots: Staying Human in the Age of Big Data
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“Most Americans are aware of the brutality and injustice used to maintain the excesses of their selfish consumer society and empire. Yet I suspect...they do not care. They don’t want to see what is done in their name. They do not want to look at the rows of flag-draped coffins, the horribly maimed bodies and faces of veterans, or the human suffering in the blighted and deserted former manufacturing centers. It is too upsetting. Government and corporate censorship is therefore welcomed and appreciated.”

WantHumansLooksDoneBodyGovernmentCareFacesUsedSufferingNamesInjusticeSelfishFormerConsumersCorporateUpsetEmpiresSuspectsExcessFlagsCensorshipVeteranAppreciatedBrutalityManufacturingCoffinsDesertedHuman Suffering
Author:Curtis White
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