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“Socrates: Have you noticed on our journey how often the citizens of this new land remind each other it is a free country? Plato: I have, and think it odd they do this. Socrates: How so, Plato? Plato: It is like reminding a baker he is a baker, or a sculptor he is a sculptor. Socrates: You mean to say if someone is convinced of their trade, they have no need to be reminded. Plato: That is correct. Socrates: I agree. If these citizens were convinced of their freedom, they would not need reminders.”

“Tolkien did admit that, 'As a guide, I had only my own feelings for what is appealing or moving.' In other words ~ he wrote about what interested him ~ and despite his protestation of including anything allegorical into his tale, Catholic history and mystic prophecy obviously received its fair share of attention ...”

“... the reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron.”

“Faustus, who embraced evil and shunned righteousness, became the foremost symbol of the misuse of free will, that sublime gift from God with its inherent opportunity to choose virtue and reject iniquity. “What shall a man gain if he has the whole world and lose his soul,” (Matt. 16: v. 26) - but for a notorious name, the ethereal shadow of a career, and a brief life of fleeting pleasure with no true peace? This was the blackest and most captivating tragedy of all, few could have remained indifferent to the growing intrigue of this individual who apparently shook hands with the devil and freely chose to descend to the molten, sulphuric chasm of Hell for all eternity for so little in exchange. It is a drama that continues to fascinate today as powerfully as when Faustus first disseminated his infamous card in the Heidelberg locale to the scandal of his generation. In fine, a life of good or evil, the hope of Heaven or the despair of Hell, Faustus stands as a reminder that the choice between these two absolutes also falls to us.”