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“Psychosis, it seemed to some, was in the air. One unhappy host played Phil a copy of Marshall McLuhan's 1968 LP The Medium is the Massage, an audio collage inspired by the resonating global echo chamber that McLuhan believed formed a new electronic form of “acoustic space.” When the recording began, Dick clapped his hands over his ears and screamed, “Turn it off! Turn it off! It sounds like the inside of my head when I go mad and have to go the hospital.”

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Book:High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies
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“The technological audacity of the Apollo program, with it's largely symbolic payload, was also sinking into the trivialisation that Guy Debord had identified the decade before as the underside of media spectacle. When Commander Alan Shepard strapped a six iron to a lunar excavation tool and whacked two golf balls across the Fra Mauro Highlands, he became, for a spell, nothing more than a tourist, that agent of commodification whose freedom of movement, as Debord had written, is "nothing more than the leisure of going to see what has become banal.”

Space Tourism
Book:High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies
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“So the next time you peer into the open window of a Web browser, you might ask yourself: where does "the network" end? Does it cease with the virtual worlds, images, and minds of the Internet, or with the silicon-electronic matrix of computing devices, or with the electrical grid that powers the show with energies extracted from waterflow and toxic atom? Perhaps the network extends further—to the Jacquard looms and American war machines that loosened the historical dynamic that eventually stuck a magic toxic tablet in your hands, to the billionfold packet-switching meshwork of human neurons that shape and submit to information space, to the capital flows that animate the quick hands of young Filipinas who wire up semiconductors for dollars a day. As you contemplate these widening networks, they may alter the granularity and elasticity of the self that senses them, as well as changing the resilience and tenderness of the threads binding that self to the mutant edge of matter and history. I suspect there is no end to such links, and that this immanent infinity, with its impossible ethical call, makes up the real World Wide Web.”

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Author:Erik Davis
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“The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.”

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Book:Techgnosis: Myth, Magic & Mysticism in the Age of Information
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