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F. Scott Fitzgerald

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“The early twenties when we drank wood alcohol and every day in every way grew better and better, and there was a first abortive shortening of the skirts, and girls all looked alike in sweater dresses, and people you didn't want to know said "Yes, we have no bananas," and it seemed only a question of a few years before the older people would step aside and let the world be run by those who saw things as they were--and it all seems rosy and romantic to us who were young then, because we will never feel quite so intensely about our surroundings any more.”

“The farmers may be the backbone of the country, but who wants to be a backbone?”

“What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.”

“I'm restless. My whole generation is restless. I'm sick of a system where the richest man gets the most beautiful girl if he wants her, where the artist without an income has to sell his talents to a button manufacturer. Even if I had no talents I'd not be content to work ten years, condemned either to celibacy or a furtive indulgence, to give some man's son an automobile.”

“I want to give a really BAD party. I mean it. I want to give a party where there’s a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see.”

“We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism.”

“I want to know you moved and breathed in the same world with me.”

“Youth is like having a big plate of candy. Sentimentalists think they want to be in the pure, simple state they were in before they ate the candy. They don't. They just want the fun of eating it all over again.”

“He's sensitive and I don't want him to break his heart over somebody who doesn't care about him.”

“Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation.”

“No," interrupted Marcia emphatically. "And you're a sweet boy. Come here and kiss me." Horace stopped quickly in front of her. "Why do you want me to kiss you?" he asked intently. "Do you just go round kissing people?" "Why, yes," admitted Marcia, unruffled. "'At's all life is. Just going around kissing people.”

“How I feel is that if I wanted anything I'd take it. That's what I've always thought all my life. But it happens that I want you, and so I just haven't room for any other desires.”

“Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are.”

“The world only exists in your eyes. You can make it as big or as small as you want”

“And that taught me you can't have anything, you can't have anything at all. Because desire just cheats you. It's like a sunbeam skipping here and there about a room. It stops and gilds some inconsequential object, and we poor fools try to grasp it - but when we do the sunbeam moves on to something else, and you've got the inconsequential part, but the glitter that made you want it is gone.”

“It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.”

“I had a strong sudden instinct that I must be alone. I didn’t want to see any people at all. I had seen so many people all my life -- I was an average mixer, but more than average in a tendency to identify myself, my ideas, my destiny, with those of all classes that came in contact with. I was always saving or being saved -- in a single morning I would go through the emotions ascribable to Wellington at Waterloo. I lived in a world of inscrutable hostiles and inalienable friends and supporters.”

“"Oh, you want too much!" she cried to Gatsby. "I love you now - isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once-but I loved you too." Gatsby's eyes opened and closed. "You loved me too?" he repeated. "Even that's a lie," said Tom savagely. "She didn't know you were alive. Why - there're things between Daisy and me that you'll never know, things that neither of us can ever forget."”