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George Pelecanos

George Pelecanos Books

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Owning Up

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The Way Home

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“There's a school of thought that says if you legalize drugs it will solve the problem. We're all good liberals, we said let's do it and see what happens. We wanted to be honest about it. So in our brainstorming sessions we'd say, what if? The finding was that all the negative things came out also. The answer is that we didn't believe in the full legalization of drugs. But we don't believe in the criminalization of drugs, either.”

“Things seem to be at a boiling point all the time. In fact, it has been that way my whole life. I find it interesting, and I like the fact that the emotions are in your face all the time. You always know where you stand. None of that "we don't have any racial problems here" attitude that you get, say, up north. All of this is rich fodder for a crime novelist.”

“In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.”

“My name recognition has opened doors on the research side. I used to go into crack houses and drug markets and really bad neighborhoods by myself, routinely, and hang out. Sometimes I still do, because I don't want to attract attention. But lately, I've been riding with cops and gaining access to other types of law, like the ATF guys, just because of my name. I guess it's a smarter way to work.”

“The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.”

“I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.”