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John Irving

John Irving Quotes

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Famous John Irving Quotes

“The way you remember or dream about your loved ones - the ones who are gone - you can't stop their endings from jumping ahead of the rest of their stories. You don't get to choose the chronology of what you dream, or the order of events in which you remember someone. In your mind - in your dreams, in your memories - sometimes the story begins with the epilogue.”

“When an orphan is depressed," wrote Wilbur Larch, "he is attracted to telling lies. A lie is at least a vigorous enterprise, it keeps you on your toes by making you suddenly responsible for what happens because of it. You must be alert to lie, and stay alert to keep your lie a secret. Orphans are not the masters of their fates; they are the last to believe you if you tell them that other people are also not in charge of theirs. When you lie, it makes you feel in charge of your life. Telling lies is very seductive to orphans. I know," Dr. Larch wrote. "I know because I tell them, too. I love to lie. When you lie, you feel as if you have cheated fate--your own, and everybody else's.”

“JUST BECAUSE A BUNCH OF ATHEISTS ARE BETTER WRITERS THAN THE GUYS WHO WROTE THE BIBLE DOESN'T NECESSARILY MAKE THEM RIGHT!" [Owen Meany] said crossly. "LOOK AT THOSE WEIRDO TV MIRACLE-WORKERS--THEY'RE TRYING TO GET PEOPLE TO BELIEVE IN MAGIC! BUT THE REAL MIRACLES AREN'T ANYTHING YOU CAN SEE--THEY'RE THINGS YOU HAVE TO BELIEVE WITHOUT SEEING. IF SOME PREACHER'S AN ASSHOLE, THAT'S NOT PROOF THAT GOD DOESN'T EXIST!”

“MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!”

“Amy Martin (ladysky) and Daniel Baciagalupo had a month to spend on Charlotte Turner's island in Georgian Bay; it was their wilderness way of getting to know each other before their life together in Toronto began. We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly--as if out of the sky, or as if there were a direct flight from Heaven to Earth--the same sudden way we lose people, who once seemed they would always be part of our lives. Little Joe was gone, but not a day passed in Daniel Baciagalupo's life when Joe wasn't loved or remembered. The cook had been murdered in his bed, but Dominic Baciagalupo had had the last laugh on the cowboy. Ketchum's left hand would lvie forever in Twisted River, and Six-Pack had known what to do with the rest of her old friend”

“Mother's intentions were always sound, never muddy; I don't imagine that she troubled herself to feel very guilty. But the Rev. Mr. Merrill was a man who took to wallowing in guilt; his remorse, after all, was all he had to cling to-especially after his scant courage left him, and he was forced to acknowledge that he would never be brave enough to abandon his miserable wife and children for my mother. He would continue to torture himself, of course, with the insistent and self-destructive notion that he loved my mother. I suppose that his "love" of my mother was as intellectually detached from feeling and action as his "belief" was also subject to his immense capacity for remote and unrealistic interpretation. My mother was a healthier animal; when he said he wouldn't leave his family for her, she simply put him out of her mind and went on singing. But as incapable as he was of a heartfelt response to a real situation, the Rev. Mr. Merrill was tirelessly capable of thinking; he pondered and brooded and surmised and second-guessed my mother to death.”

“«Cosa vorresti sapere su te stesso, di preciso?» mi chiese ad un certo punto. «Mi domando perché mi capitino di continuo queste improvvise, inspiegabili…cotte» gli risposi. «Oh, le cotte. Tra un po’ ne avrai molte di più, vedrai» disse Richard in tono incoraggiante. «Alla tua età le cotte sono assolutamente normali…perfino divertenti!» «A volte però le prendo per le persone sbagliate» provai a spiegargli. «Non esistono persone sbagliate per cui prendersi una cotta, Bill» mi rassicurò, «Non si può scegliere di innamorarsi di qualcuno piuttosto che di qualcun altro.» «Oh!» esclamai. A tredici anni, quell’informazione mi fece pensare che le cotte fossero più pericolose di quanto avessi creduto. È buffo che solo sei anni più tardi, durante quel viaggio in Europa con Tom, iniziato così male a Bruges, l’eventualità di potermi innamorare mi sembrasse improbabile, perfino impossibile. Quell’estate avevo solo diciannove anni, ma ero già deciso a non innamorarmi mai più.”

“«Ho letto tutti i tuoi libri» rispose con entusiasmo. «I tuoi romanzi sono stati una specie di in loco parentis per me» aggiunse, scandendo con cura le parole latine. «Quasi dei genitori, insomma» Ci sorridemmo: aveva detto tutto quello che c’era da dire, e l’aveva detto proprio bene. Suo padre sarebbe stato felice dell’uomo che era diventato, nella misura in cui riusciva a concepire la felicità. Io e Tom eravamo cresciuti con il disprezzo per noi stessi, perché ci avevano insegnato che le differenze sessuali erano sbagliate. Ora mi vergogno di aver sperato che Peter non fosse come Tom, né come me. Forse l’augurio migliore per i ragazzi della sua generazione era che venissero su “come noi”, però orgogliosi di ciò che erano.”

“If someone ever presumed to teach Charles Dickens or Thomas Hardy or Robertson Davies to my Bishop Strachan students with the same, shallow, superficial understanding that I'm sure *I* possess of world affairs--or, even, American wrongdoing--I would be outraged. I am a good enough English teacher to know that my grasp of American misadventures--even in Vietnam, not to mention Nicaragua--*is* shallow and superficial. Whoever acquired any real or substantive intelligence from reading *newspapers*? I'm sure I have no in-depth comprehension of American villainy; yet I can't leave the news alone! You'd think I might profit from my experience with ice cream. If I have ice cream in my freezer, I'll eat it--I'll eat *all* of it, all at once. Therefore, I've learned not to buy ice cream. Newspapers are even worse for me than ice cream; headlines, and the big issues that generate the headlines, are pure fat.”

“A terrorist, I think, is simply another kind of pornographer. The pornographer pretends he is disgusted by his work; the terrorist pretends he is uninterested in the means. The ends, they say, are what they care about. But they are both lying. Ernst loved his pornography; Ernst worshiped the means. It is never the ends that matter -- it is only the means that matter. The terrorist and the pornographer are in it for the means. The means is everything to them. The blast of the bomb, the elephant position, the Schlagobers and blood -- they love it all. Their intellectual detachment is a fraud; their indifference is feigned. They both tell lies about having ‘higher purposes.’ A terrorist is a pornographer.”

“People are like that .... They need to make their own worst experiences universal. It gives them a kind of support.’ And who can blame them? It is just infuriating to argue with someone like that; because of an experience that has denied them their humanity, they go around denying another kind of humanity in others, which is the truth of human variety -- it stands alongside our sameness.”

“Aquella noche fue por primera vez a la ópera; con gran sorpresa descubrió que cantaban en italiano y, como no entendía una sola palabra, supuso que toda la representación era una especie de servicio religioso. Deambuló a altas horas de la noche hasta los iluminados chapiteles de San Esteban; la torre sur de la catedral, leyó en una placa, se había iniciado a mediados del siglo XIV y concluido en 1439. Viena, pensó Garp, era un cadáver; posiblemente toda Europa era un cadáver ataviado en un ataúd abierto.”

“YOUR BOREDOM IS YOUR PROBLEM," said Owen Meany. "IT'S YOUR LACK OF IMAGINATION THAT BORES YOU. HARDY HAS THE WORLD FIGURED OUT. TESS IS DOOMED. FATE HAS IT IN FOR HER. SHE'S A VICTIM; IF YOU'RE A VICTIM, THE WORLD WILL USE YOU. WHY SHOULD SOMEONE WHO'S GOT SUCH A WORKED-OUT WAY OF SEEING THE WORLD BORE YOU? WHY SHOULDN'T YOU BE INTERESTED IN SOMEONE WHO'S WORKED OUT A WAY TO SEE THE WORLD? THAT'S WHAT MAKES WRITERS INTERESTING!”

“Thinking of Rooie, he was not entirely alone. He'd even chosen a hotel that he thought Rooie would have liked. Although it was not the most expensive hotel in Zurich, it was too expensive for a cop. But Harry had traveled so little that he'd saved a fair amount of money. He didn't expect the 2nd District to pay for his room at the Hotel Zum Storchen, not even for one night, yet that was where he wanted to stay. It was a charmingly romantic hotel on the banks of the Limmat, and Harry chose a room that looked across the river at the floodlit Rathaus.”

“Detiene la camioneta para decirme que Marion es "una mujer difícil"' se decía. Incluso a un muchacho de su edad esa manifestación le parecía insincera, mejor dicho, falsa por completo. Era una expresión estrictamente masculina, lo que los hombres que se creían corteses decían de sus ex esposas. Era lo que decía un hombre de una mujer inalcanzable para él, o que de alguna manera se había hecho inaccesible. Era lo que un hombre decía de una mujer cuando quería decir otra cosa, cualquier otra cosa.”