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Emily Wilde's Encyclopaedia of Faeries

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Emily Wilde's Encyclopaedia of Faeries Quotes

“The next time I took notice of you, you were sobbing all over the snow. Well, I thought, finally she's being sensible. Then I realized that you were sobbing because you'd stabbed yourself in the arm, and not out of concern for my imminent demise. I noticed that your tears were freezing as they hit the icy ground and collecting into the shape of a sword. Well, that almost killed me. I mean that---I froze for a full second, during which our yeti friend nearly skewered me through. I dodged, barely, my head whirling. One day I would like for you to explain to me how you heard of the story of Deirdre and her faerie husband, a long-ago king, which is one of the oldest tales in my realm. Do mortals tell it as we do? When the king's murderous sons schemed to steal his kingdom by starving it into torpor with endless winter, Deirdre collected the tears of his dying people and froze them into a sword, with which he was finally able to slay his children. It is a tale many of my own people have forgotten---I know it only because that poor, witless king is my ancestor. I felt the story in my blood and let my magic flow into the sword you were fashioning.”

StrengthTearsContributionSwordMortalFaerie TaleFaerie Magic
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“There's a bump in your nose now." He glared at me. "There is not." "Your mouth is lopsided." He opened his mouth to argue, but then he just let out a weary groan. "What is the point? I am hideous. I can't wait to change myself back again." "Don't. I prefer you like this." He looked surprised, then he began to smile. "Do you?" "Yes," I said. "You blend into the background. I could almost forget about you entirely. It's refreshing." Naturally, he found a way to twist this into a compliment. "And am I ordinarily a distraction to you, Em?”

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“Wanting to be through with this quickly, I leaned forward and kissed him. Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making. "Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories." I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining." He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.”

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“How is it that you know how to befriend wild faerie dogs and ferret out Words of Power, yet you missed one of the fundamental rules of dryadology---namely, not cutting wicked kings out of trees." "I've learned my lesson, thank you," I snapped. "Should you end up trapped in one, I won't let you out." "You shall have to. I know you too well, Em. You could never survive without having someone around to snarl at.”

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“Do you want to marry me?" "That's---that's beside the point." A nonsensical reply, but it came the closest to expressing how I felt. I had never even considered marrying Wendell---why on earth would I? Wendell Bambleby! Certainly I'd imagined being with him in other ways, particularly since I'd grown used to having him around---traveling with him across the continent, no doubt arguing half the time; conducting research; scouring woodland and heath for lost doors to the faerie realms. And yes, I liked the prospect of being with him often, or even all the time, and felt a sort of hollowness fill me when I thought about us parting ways. But I couldn't marry one of the Folk, particularly not a faerie king, even if he was Wendell.”

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“I was surprised to feel his hand brush against mine---he'd crossed the room without a whisper of sound---his grip feather-light. I froze, realizing that he was about to kiss me only a second after I knew I was going to kiss him. I leaned forward, but he put a hand on the side of my face, very gently, his fingers brushing the edge of my hair. A little shiver went through me. His thumb was by the corner of my mouth, and it made me think of the time when I had touched him there, when I'd thought he was dying from loss of blood. For a heartbeat, all the other moments we'd shared faded away, leaving behind only the small handful of times we'd been close like this, connected somehow like a bright constellation. He brushed his lips against my cheek, and I felt the warmth sink all the way to my bones, chasing out the ice of the snow king's court. "Good night, Em," he murmured, his breath fluttering against my ear and sending a river of goosebumps down my neck.”

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“Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.”

FoodWineSnowIceFaerieEnchantedVendorsTrinketsTasteless
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“Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze”

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“Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from lampposts made of ice, which framed paths from the lake’s edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind—smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.”

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“There was something about the stories bound between those covers, and the myriad species of Folk weaving in and out of them, each one a mystery begging to be solved. I suppose most children fall in love with faeries at some point, but my fascination was never about magic or the granting of wishes. The Folk were of another world, with its own rules and customs---and to a child who always felt ill-suited to her own world, the lure was irresistible.”

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“Then you told me how you had tricked the boggart into thinking you a long-lost relative of his last master---a feat which had required extensive research into local lore---then bribed him with exotic seashells, for you remembered some obscure story about a boggart whose secret fantasy was to travel the world, boggarts being bound to their crumbling ruins, while I half listened in astonishment. I say half, because I was mostly just watching you, observing the way your mind clicks and whirrs like some fantastical clock. Truly, I have never met anyone with a better understanding of our nature, and that anyone includes the Folk. I suppose that's partly why--- Ah, but you really would kill me if I desecrated your scientific vessel with the end of that sentence.”

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“The faeries took no notice of my cry. No doubt they were used to lost travelers screaming for help. One of them grabbed me by my cloak and wrenched me painfully back and forth, like an animal wishing to drag me to the ground. But I did not need to call for Wendell again. He stepped out from behind a tree---or perhaps from the tree; I didn't see. He reached a hand out and snapped the neck of the faerie gripping me, which I had not expected, and I staggered back from both him and the crumpling body. He saw the mark on my neck, and his entire face darkened with something that seemed to go beyond fury and made him look like some feral creature. The faeries scattered like leaves, though they were too intrigued and too stupid to run. "Are you hurt?" "No." I don't know how I made myself speak. I have seen Wendell angry before, but this was something that seemed to surge through him like lightning, threatening to burn everything in its path. He moved his hand, and a hideous tree rose up from the snow, dark and terrifying, all thorns and knife-sharp branches. The boughs darted out, and he skewered the faeries on them. Once they were all immobilized, held squirming and screaming above the ground, he moved from one to the other, tearing them apart with perfect, calm brutality. Limbs, hearts, other organs I did not recognize scattered the snow. He did not rush, but killed them methodically while the others howled and writhed.”

RescuedDark HeroFaerie MagicGory Mess
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“I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.”

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“Egilson was prompt in preparing our supper, which was accompanied by a dozen buns and, perhaps as a form of apology for the lack of apple tart, a basket of greyish-blue fruits aptly named iceberries. Finn delivered the lot, along with his apologies---there were no apples to be had in Hrafnsvik, and he had no experience with bread pudding, but he hoped we would enjoy his briòsupa, which he and Krystjan guessed to be the closest Ljoslander approximation. It was made with rye bread and plenty of cinnamon, cream, and raisins, and smelled divine.”

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“Golden feathers began to fly through the air, and the wedding guests could not at first make sense of it. The oíche sidhe kept whacking and whacking until the serving girl split apart like an overripe plum and became what she had been long ago, though neither she nor the mother who raised her had guessed it---a golden raven, one of the three enchanted birds that the prince had released to bring strife to the kingdom. The serving girl flitted out the window, free at last, while the oíche sidhe dusted their hands and went smilingly back into hiding. They stopped pomading chickens and turning pajamas into evening wear, which was ultimately a relief to the duchess, who had been down to her last nightgown. As for the prince, the serving girl's disappearance finally gave him a purpose in life. He retreated to the wilderness to learn magic from witches and any Folk who would teach him. Eventually he succeeded in turning himself into a raven, whereupon he flew off in search of his beloved. In the northeast of Ireland it is said that he is still searching for his golden bride to this day, and that if you listen closely, you can hear her name in the croaking of the ravens.”

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“Looking back now, I wonder if I was observant enough. Certainly I was alert---I always am, during fieldwork---but I suspect that the unfamiliarity of the landscape, the high, dark mountains swaddled in snow, lulled me into a belief that no living thing could accost me here, certainly nothing fae, creatures I have spent my career associating with greenery and water and life. Fortunately, my reflexes are sharp. The instant the light flared through the trees, I halted and gripped my coin. It was a grayish light with no warmth in it, like a star. A wind moved through the trees, and there came a whisper of bells. Had I not been touching metal, I might have been bespelled, and as it was my head still spun a little, but I am used to brushing against faerie enchantments and stood my ground.”

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“Upon the bed sat a boy, pale as moonlight on new snow. I stopped short, for the creature was nothing like the changelings I have encountered before---ugly, spindly things to a one, with the brains of animals. The boy's long hair was bluish and translucent, and upon his skin was a glimmer like frost. He was beautiful, with an uncanny grace, his eyes sharp with intelligence.”

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“The forest has a different quality now, girded with winter. It no longer dozes among its autumn finery like a king in silken bedclothes, but holds itself in tension, watchful and waiting. Its moments like that, I am reminded of Gauthier's writings on woodlands and the nature of their appeal to the Folk. Specifically, the forest as liminal, a "middle-world" as Gauthier puts it, its roots burrowing deep into the earth as their branches yearn for the sky. Her scholarship tends towards the tautological and is not infrequently tedious (qualities she shares with a number of the continental dryadologists) yet there is a sense to her words one only grasps after time spent among the Folk.”

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“Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from the lake's edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind---smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.* * Outside of Russia, almost all known species of courtly fae, and many common fae also, are fond of fairs and markets; indeed, such gatherings appear in stories as the interstitial spaces between their worlds and ours, and thus it is not particularly surprising that they feature in so many encounters with the Folk. The character of such markets, however, varies widely, from sinister to benign. The following features are universal: 1) Dancing, which the mortal visitor may be invited to partake in; 2) A variety of vendors selling foods and goods which the visitor is unable to recall afterwards. More often than not, the markets take place at night. Numerous scholars have attempted to document these gatherings; the most widely referenced accounts are by Baltasar Lenz, who successfully visited two fairs in Bavaria before his disappearance in 1899.”

FairsWinterFaeriesMarketsMagical RealmFootnoteGatherings
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“Somehow, one of the women found time to knit a jacket for Shadow which, combined with the other gifts, left me unaccountable flustered---given my companion's size, it would have taken her hours. Bambleby and I entertained ourselves at the cottage by coaxing a recalcitrant Shadow into his new raiment, which was patterned with flowers and equipped with a jaunty hood. The dog hung his head in abject embarrassment until his tormentors deigned to relieve him of this woolen pillory, and he spent the next hour pointedly ignoring me.”

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“A faerie crouched beside me. It was very small, its frame skeletal with a face full of teeth and two sharp black stones for eyes tucked beneath a ravenskin that it seemed to wear as a sort of cloak, but the skin had been poorly cleaned and the eyes were absent. It had all the substance of cobwebs and was both there and not there; viewed from certain angles, it was merely the shadow of a stone, and from others, a live raven. It was digging around in my pockets with fingernails the length again of its spindly arms and sharp enough to slit my throat without my noticing the injury immediately.”

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“I fetched a pair of metal tweezers from my pack and carefully plucked a leaf from the frost. It was lovely, segmented like a maple and white as the trunk and boughs, though it also had a coating of short white hairs, like some sort of beast. I placed the leaf within a small metal box I habitually use to collect such samples, many of which have found their place in the Museum of Dryadology and Ethnofolklore at Cambridge.”

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“We came next to a side door that led us back to the courtyard, where the ice now ran red with blood, then he made us all leap through a window that brought us to a winter garden, filled with flowers the color of twilight punctuated with violent hedges, their leaves black and spiky and their berries bright with poison.”

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“Faerie stones can be found in a variety of regions, being particularly common in Cornwall and the Isle of Man. They are unimpressive in appearance and hard to recognize with the untrained eye; their most distinguishing feature is their perfect roundness. They seem primarily to be used to store enchantments for later use or perhaps for the purposes of gift-giving. Danielle de Grey's 1850 Guide to Elfstones of Western Europe is the definitive resource on the subject. (I am aware that many dryadologists today ignore de Grey's research on account of her many scandals, but whatever else she was, I find her a meticulous scholar.) A faerie stone with a crack down it has been spent and is thus harmless. An intact stone should be left untouched and reported to ICAD, the International Council of Arcanologists and Dryadologists.”

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“Which of the Irish kingdoms is yours?" "Oh---it's the one you scholars call Silva Lupi," he said. "In the southwest." "Wonderful," I murmured. Faerie realms are named for their dominant feature---statistically, the largest category is silva, woodland, followed by montibus, mountains---and an adjective chosen by the first documenting scholar. Ireland has seven realms, including the better-known Silva Rosis. But Silva Lupi---the forest of wolves---is a realm of shadow and monsters. It is the only one of the Irish realms to exist solely in story---not for lack of interest, of course, a number of scholars have disappeared into its depths.”

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“The loveliness of the view outside stopped me in my tracks. The mountain fell away before me, a carpet of green made greener by the luminous dawn staining the clouds with pinks and golds. The mountains themselves were lightly ensnowed, though there was no threat of a sequel in that cerulean canopy. Within the hinterlands of the prospect heaved the great beast of the sea with its patchy pelt of ice floes.”

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“Whatever he touched burst into bloom, scattering the snow with leaves like beaten emeralds, red berries, pussy willows and seed cones, a riot of color and texture crackling through that white world. Soon enough our little wilderness path could have been a grand avenue decked out for a returning general's triumphant procession. Birds hunkered down for the long winter crept out of their burrows, chirruping their alarmed delight as they grew drunk on berries. A narrow fox darted across our path, a starling clutched in its mouth, sparing us a dismissive glance as it slunk back into the velvet shadow.”

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“We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.”

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“Above us, the aurora was bleeding. I stood frozen. The long ribbons of white unfurled all the way to the ground, growing filmier as they went. The green and blue of the aurora was unaffected. It was as if something were drawing the silvery whiteness to earth, like fingers pulling paint down a canvas, to a place just beyond the curve of the mountain---less than a mile away.”

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