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“He was disgracefully handsome, the flight attendant decided, with the kind of face you saw in old black-and-white Hollywood movies. And, oh, that British accent! Even better. Nadia loved British accents. He was so courteous, such a gentleman, that she wondered if he might somehow be connected to the royal family. Just thinking about it made her pizda tingle. "Then perhaps I can fetch you a blanket." "A glass of wine, if you have it." "Of course, sir. Red or white?" "Always red." Safe watched the shapely bottom swing pertly away toward the galley. With blue baby-doll eyes and wide pouty lips, she was an adolescent wet dream of a sexy stewardess, long-legged and busty, extravagantly curvy in all the right places under the snug red Aeroflot uniform.”

“He was disgracefully handsome, the flight attendant decided, with the kind of face you saw in old black-and-white Hollywood movies. And, oh, that British accent! Even better. Nadia loved British accents. He was so courteous, such a gentleman, that she wondered if he might somehow be connected to the royal family. Just thinking about it made her pizda tingle. "Then perhaps I can fetch you a blanket." "A glass of wine, if you have it." "Of course, sir. Red or white?" "Always red." Rafe watched the shapely bottom swing pertly away toward the galley. With blue baby-doll eyes and wide pouty lips, she was an adolescent wet dream of a sexy stewardess, long-legged and busty, extravagantly curvy in all the right places under the snug red Aeroflot uniform.”

“He stopped, stood perfectly still, closed his eyes, breathed in the scent. He could catch the thinnest glimpse of a girl in the sliver of air between the curtain and the partition. She was small, dressed in art school standard-issue basic black, with an ass like an upside-down heart. But her hair. Oh, her hair. It cascaded in a fall of loose curls down her back, not red, not blonde, not brown, and yet all of them mixed together, trailing off at her waist. With a pang, he imagined the colors he would have used to paint it, in the years when he could still paint; golden ochre, terra rossa, raw sienna.”