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Eye Contact Quotes

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Eye Contact Quotes

“I always knew there was no one who is going to accept my flaws and understand my brokenness.And i knew it very well that nobody would hold my hand when the wind of darkness overcome my life so i just pushed them,i pushed them all away.”

“There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch." The initial smash on glance. The, the drawing near. This takes a long time, it seems like months, although only minutes pass, in fact. Languor is the word that describes this part of the process. Your persona floats toward her persona, over the Sea of Hesitation. Many weeks pass before they meet, but the weeks are days, or seconds. Still, everything is decided. You have slept together in the glance.”

“Caring is open-hearted, keeping us available to transmit love to a stranger through simple eye contact and without condition. This is not the opportunistic sizing-up of sexual cruising; instead, it’s the felt recognition of the divinity and humanity in another individual.”

“The boy's friends come over to lead him away, and at that moment, improbably, Locke's gaze lifts. His tawny fox eyes meet mine and widen in surprise. I am immobilised, my heart speeding. I brace myself for more scorn, but then one corner of his mouth lifts. He winks, as if in acknowledgement of being caught out. As if we're sharing a secret. As if he thinks I am not loathly, as though he does not find my mortality contagious.”

“Tonight- I felt you again. Through the bond. Did I get past your shields?' 'No,' he said, scanning the cobblestone streets below. 'This bond is... a living thing. An open channel between us, shaped by my powers, shaped... by what you needed when we made the bargain.' 'I needed not to be dead when I agreed.' 'You needed not to be alone.' Our eyes met. It was too dark to read whatever was in his gaze. I was the one who looked away first.”

“Opia. So much can be said in a glance. Such ambiguous intensity, both invasive and vulnerable—glittering black, bottomless and opaque. The eye is a keyhole, through which the world pours in and a world spills out. And for a few seconds, you can peek through into a vault, that contains everything they are. But whether the eyes are the windows of the soul or the doors of perception, it doesn't matter: you're still standing on the outside of the house. Eye contact isn't really contact at all. It's only ever a glance, a near miss, that you can only feel as it slips past you. There’s so much we keep in the back room. We offer up a sample of who we are, of what we think people want us to be. But so rarely do we stop to look inside, and let our eyes adjust, and see what's really there. Because you too are peering out from behind your own door. You put yourself out there, trying to decide how much of the world to let in. It's all too easy for others to size you up, and carry on their way. They can see you more clearly than you ever could. And yours is the only vault you can't see into, that you can't size up in an instant. So we're all just exchanging glances, trying to tell each other who we are, trying to catch a glimpse of ourselves, feeling around in the darkness.”

“My parents are worried about me, so they take me to a lady, so I can talk about my dragon. She says she knows about dragons like mine. I am hoping for a magic spell or a dragon slayer, with sword in hand. No such luck; just a tiny woman dressed in a short skirt with a lot of pleats and a fancy top with tons of sparkles. […] She looks me in the eye and for some reason I don't feel like I have to look away.”

“Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.”

“A horse perceives eye contact as provocative, as if it and its status in the herd are not being respected. If it cannot avoid eye contact, it will react in a different way, by rebelling for example. In dressage you don't get anywhere by not showing respect, however superior your species might be. Any animal trainer can tell you that. In the mountains in Argentina there's a wild horse which will jump off the nearest precipice if any human tries to ride it.”

“You look out into the audience and you see so much joy on people's faces. You make eye contact with people who are almost crying because they can't believe they're seeing the Rumours five back again, they can't believe their eyes. It's almost like a family reunion on stage, there's no angst, there's no animosity, there's just tremendous amount of friendship.”

“A dog will make eye contact. A cat will, too, but a cat's eyes don't even look entirely warm-blooded to me, whereas a dog's eyes look human except less guarded. A dog will look at you as if to say, "What do you want me to do for you? I'll do anything for you." Whether a dog can in fact, do anything for you if you don't have sheep (I never have) is another matter. The dog is willing.”

“Photos should focus on your waist up, unless you have amazing legs. Then it's okay to include one or two full-body shots in your gallery. The majority of your photos should be closer up, highlighting your face. Don't stage a smile. Instead, try to laugh just before the shot is taken. Flirty smiles that don't look cheesy also work. Make eye contact with the camera. Aim to take most of your photos outdoors.”