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“Ideally, I wanted to become a vegetable. The vegetables were not afraid of anything. The carrots were fucking the earth. The carrots and onions were having better sex than me. Zucchini made scandalous love to paneer, mushrooms, garlic and tomatoes. Basil coated the deep interiors of fully swollen pasta, with names sexier than shapes. R-i-g-a-t-o-n-i! F-u-s-i-l-i! C-o-n-c-h-i-g-l-i-e! Gulmarg salad licked walnut chutney in public. Even brinjal (that humble eggplant), swimming in a pot of morkozhambu, insisted on having more pleasure than me.”

“The kitchen. Scent of cumin, ajwain and cardamom. On the table, a little pile of nutmeg. Thick, oily vapor rose from the pot on the stove. The room was warm and spacious, the window high and wide. Tiny drops of condensation covered the top of the glass. Smoke soared towards the ceiling in shafts of light. I noticed many shiny pots and pans hanging on the whitewashed walls. And strings of lal mirchi, and idli makers, and thalis, and conical molds for kulfi. In the corner the tandoor was ready. Its orange glow stirred in the utensils on the walls.”

“Father never used a knife to cut mangoes, he would suck them. He would eat several at a sitting, one by one, all varieties, sandhoori, dusshairi, langra, choussa, alphonso. He loved good food. Good chutney. He was right-handed but held a chapatti in his left; he scooped up the chutney with a torn bit of chapatti. If curried lamb was served, he liked gravy more than the pieces. He ate kebabs without a piyaz.”

“Not far from me, a little girl is sitting on the aisle seat. A peach glows in her hand. Moments ago she asked her mother, What do we miss the most when we die? And I almost responded. But her mother put a thick finger on her lips: Shh, children should not talk about death, and she looked at me for a brief second, apologetically. Food, I almost said to the girl. We miss peaches, strawberries, delicacies like Sandhurst curry, kebab pasanda and rogan josh. The dead do not eat marzipan. The smell of bakeries torments them day and night.”

“Chef Kishen dazzled the table. I, on the other hand, transport people to dazzling places. But I have never been able to cook like him. His touch was precise. As if music. He appraised fruits, vegetables, meats, with astonishment, and grasped them with humility, with reverence, very carefully as if they were the most fragile objects in the world. Before cooking he would ask: Fish, what would you like to become? Basil, where did you lose your heart? Lemon: It is not who you touch, but how you touch. Learn from big elaichi. There, there. Karayla, meri jaan, why are you so prudish? ... Cinnamon was 'hot', cumin 'cold', nutmeg caused good erections. Exactly: 32 kinds of tarkas. 'Garlic is a woman, Kip. Avocado, a man. Coconut, a hijra... Chilies are South American. Coffee, Arabian. "Curry powder" is a British invention. There is no such thing as Indian food, Kip. But there are Indian methods (Punjabi-Kashmiri-Tamil-Goan-Bengali-Hyderabadi). Allow a dialogue between our methods and the ingredients from the rest of the world. Japan, Italy, Afghanistan. Make something new. Channa goes well with artichokes. Rajmah with brie and parsley. Don't get stuck inside nationalities.”

“Everything is ready, almost ready, in the kitchen. Fumes are rising from simmering pots. Soup is cream of corn. Starter is sheekh kebab. Main course is seven items, including pork in mango-coriander sauce. Memsahib is vegetarian, Chef tells me. Navrattan paneer and dal makhni have been prepared especially for her. Lady Fingers are also for her. Biryani, kakori and fish are for the colonel. Trout is ready- from Dachigam in the morning.”

“Beauty, I am coming. I am on my way. I have not forgotten your fragile pastries. The ridges on your leavened bread. Half-eaten pomegranate in General Sahib's fridge. Cherries so big they redden Rubiya's hands, Irem's fingers. Kashmir, you are real. You are my half-chilled soup, minced cilantro, my zaman pilaf. Bittersweet chukunder. Rista. Aab gosht. Gurdé Kaporé. Kidney and testicle curry. Kaléji. Sheermal. Lavasa. Tsot. Maythi paratha. Kabuli chana. Nargissi kebab. Tamatar muli. You are a sudden red mirchi. You give me pleasure and pain, both at once. You are my dream, my desire. My North, my brain. My pounding headache.”