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“In the place Calliope had bled, a trail of corn sprouted behind her. She picked the two tallest corn shoots then sat beside two large, smooth stone metates for grinding. From within her husk rebozo, she pulled a mano, shucked the corn, laid it on the altar, and with the mano in both hands, she began moving with the weight of her whole body, the strength of her shoulders and back pressing down through her arms, back and forth, shearing, until the corn became a fine yellow powder. The Ancients sang her on as she worked. When the Earth has had enough, she will shake her troubles off. She will shake her troublemakers off. She scooped this and mashed it into the butter of her hands. Rolled it into a ball, flattened it again. Shaped and shaped until the corn grew into a child, who sprang from the stone of her hands, laughing. For she was finished, and sank into the earth, solid, hardened, at peace. And as her corn-made child ran from the mound to the grass below, the spirits intoned. The Earth has all the power she needs. When she decides to use her power, you will know.”

“A shock of light. Unbelievable light. Blood orange swallowing the Albuquerque evening. A pulling in, taking back, reclaiming something stolen. Halfway home from her Saturday-morning lecture, Calliope Santiago drove across the river toward West Mesa and the Sleeping Sisters, ancient cinder-cone volcanoes in the distance marking the stretch of desert where she lived. Only now she could see no farther than two feet ahead of her from the blinding light, the splotches in her eyes bursting like bulbs in an antique camera. She blinked, not sure what she was seeing. She meant to cover her eyes. Meant to shield her sight.”

“The rocks pummeled her belly. Something rose in her throat and when she tried to speak, from her mouth she dislodged a rock. She was made of rocks. She couldn’t move from the fossilized casing she’d once called her body. Heat crackled nearby. A conversation wove through the fire. A child’s sweaty body curled at her lap, chest rhythms of breathing, up and down, pressing against her. 'I didn’t want to believe it was happening again.”

“As we wind through the graves, I’m reminded of growing up down the road from the town dump to the north and the cemetery to the south, my own house haunting the center, equal radius to either destination: dumping ground or burial. Mama’s ghost skirted the edges; I could feel her presence, but not nearly enough. Girlhood nights I used to sleepwalk, and Alba would find me, wriggling through the slats in the fence, kneeling at the makeshift altar I’d made of debris, all that wreckage, a shrine for the mama I never knew, and my staunch and sturdy saint of a sister would walk me home where I’d claim no memory in the morning. Dreamworld would merge with waking, and I felt it—embryonic, swelling, lucent, what would sprout inside me as I grew older, rasher—the city of the Dead. Where I accidentally sent Karma a few short years later. Where—I can’t shake the clawing feeling now—I’ve sent Cecilia as well, with my vitriol, with my jealousy.”

“She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.”