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Jerry Pinto

Jerry Pinto Biography

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“Love is never enough. Madness is enough. It is complete, sufficient unto itself. You can only stand outside it as a woman might stand outside a prison in which her lover is locked up. From time to time, a well-loved face will peer out and love floods back. A scrap of cloth flutters and it becomes a sign and a code and a message and all that you want it to be. Then it vanishes and you are outside the dark tower again.”

“She was in ward 33 again, lying in bed, a bed with a dark green sheet and a view of the outside. We could both see a man and woman getting out of a taxi. They were young and stood for a while, as if hesitating, in front of the hospital. Then the man took the woman’s hand and they walked into the hospital and we lost them. ‘That’s why Indian women fall ill,’ Em said. ‘So that their husbands will hold their hands.”

“At this point I realised what it meant to be a man in India. It meant knowing what one could do and knowing what one could only get done. It meant being able to hold onto two patterns simultaneously. One was methodical, hierarchical, regulated and the outcome depended on fate, chance, kings and desperate men. The other was intuitive, illicit and guaranteed. The trick was to know when to shift between the patterns, to peel the file off a table and give it to a peon, to speak easily of one's cousin the minister or archbishop. I did not think I would ever know what these shifts entailed, and that meant, in essence, that I was never going to grow up.”

“The city continued on its way. Boys tried to sell me drumsticks, girls played hopscotch, the Bihari badly worker carried his gathri of ironed clothes to the homes from which they had come, and the buses honked at suicidal cyclists. At one level this was vaguely confusing. Surely, something should acknowledge how much things had changed? At another level, it was oddly comforting.”