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“The problem with “special” things, though, is that they do not last. As a category of being, “special” cannot help being vampiric, and so “special” is really the opposite of “holy.” Holy things beget holy things. Because holiness shares in the boundless nature of God, there is always more holiness to go around. Holy water consecrates all that it touches as holy. Holy places confer their holiness on the activities that transpire therein. As a bishop consecrates a deacon to the position of priest, or a priest consecrates the romance of bride and groom, holy men may confer their holiness on others. Special things cannot confer their specialness on other things, though. One special thing is naturally at war with other special things. Holiness is an open system, which means a holy thing can make a common thing holy without losing its own holiness. Specialness is a closed system, though, for one thing cannot become special without devouring or absorbing the specialness of another. The goal of a new blockbuster is to make old blockbusters look dull by comparison. The goal of new clothing styles is to make old clothing styles look dowdy by comparison. The goal of a fashionable new church is to make old churches seem dull and conventional by comparison. The goal of new pornography is to make old pornography look chaste by comparison. The goal of the latest KFC sandwich is to make the last KFC sandwich seem flavorless by comparison.”

“Very beautiful things become harder to like the more we give ourselves over to the spectacular, sexy, shocking, ultra-sensual, fashionable art and ethics of Modernity. So far as acquiring good taste is concerned, balance is a myth. Every blockbuster film a man watches makes the task of reading Paradise Lost and Jane Eyre seem more dull and more pointless. Every Top 40 song he listens to makes Mozart and Bach more incomprehensible.”

“Beauty is a liability. “Beauty will save the world,” but don’t tell the Trojans that. “Save the world? Beauty is tearing the world apart!” Any starry-eyed messiah quoting Dostoyevsky from the walls of Troy would have been pitched over. The beauty of Helen threw the cosmos out of whack. The beauty of Sarai jeopardized Abram’s trip into Egypt. So, too, a beautiful sunbather may upset the peace of a family trip to the beach and a beautiful priest might easily distract from mass or compromise confession.”

“As soon as one generation undertakes a project which can be finished in a single lifetime, their children have incentive to scrap that project in favor of projects more suited to their own tastes and values. Any social or cultural project which will take fifty years to accomplish encounters profound existential threats halfway through, for everyone who started the project begins to age out of productivity and those have just entered the project have both incentive and ability to redirect time and funds to a more fashionable project which does not seem so old-fashioned.”

“In a prior age, the human experience was understood as the temporal embodiment of desire, delight, fear, grief, faith, love, hope, hatred, horror, sympathy, gentleness, kindness, loyalty, fidelity, sublimity, desperation, chagrin, anger, fury, wrath, distress, discomposure, shame, dignity, indignity, glory, contempt, slight, heartbreak, fondness, tenderness, adoration, infatuation, compassion, goodwill, worship, sorrow, anguish, despair, woe, dejection, despondency, duty, angst, reverence, respect, esteem, exaltation, melancholy, disquiet, weariness, felicity, glee, bliss, ecstasy, rapture, euphoria, exhilaration, rhapsody, brotherhood, contemplation, mediation, surrender, fancy, impulse, yearning, thirst, hankering, pining, enthusiasm, need, obligation, fancy, mystery, helplessness, luck, recklessness, boldness, fearlessness, wildness, sorrow, regret, gloom, heavyheartedness, and dreaminess and ten thousand others. These are the sentiments which great art compels us to feel. But mediocre art truncates the human experience. It prunes and lops off all the diversity and richness of life and leaves us with little more than lust, amusement, self-fulfillment, and the resentment which comes from our endless search for the power that now attends victimhood.”

“Against the reliability of common sense, the laws of science, the ravages of sin, the tendencies of mankind, and the metaphysics which govern created things, some things are not destroyed by time. The ability to last is so exceedingly rare, when a man finds something which has bested time, he has found something for which there is only fitting adjective: divine.”

“It is natural to care for those who have cared for us, but at the point a man has been dead a hundred years, no one alive who yet cares for him has any natural reason for doing so. In the several decades following a man’s death, those who knew him might carry a torch for his memory, describe the love they received from him, and champion the spirit they have inherited from him. However, if people are still willing to listen to a man one hundred years after his death, he speaks from the grave. After natural affection passes, if any affection remains, it is supernatural.”

“The commodification of art has failed to produce more humane music and literature because it has created a system wherein no one can be held responsible for the pap and twaddle presented to the public for consumption. If a certain film is profitable within a system of commodified art, more films like it will be made, even if the film is poorly reviewed and even if audiences do not like it.”

“In "A Stolen Life," Dugard’s ability to think through questions of suffering, love, hope, and justice is indistinguishable from that of people her age who have lived "normally,” immersed in the world of blockbuster films, disposable fashion, popular music, easy virtue, virtue signaling, screen addiction, trendy political causes, and banal propaganda. The further I got into "A Stolen Life," the more I realized Dugard sounded just like the young women (and men) whose work I read in college writing workshops. My conclusion is both horrifying and offensive: for all the good our freedom is doing us we might as well have been locked up in a dungeon with demoniacs. The effects of living freely in the Modern world are not easily distinguishable from the effects of living in captivity with a psychopath.”

“While progressives have great contempt for the past, they often have a more accurate sense of the past’s worth than conservatives do. Naïve and unrefined conservatives are sometimes willing to sell off huge tracts of the past at cut rates, but progressives who buy up the past never underestimate its worth. Because traditional things are so profoundly valuable, progressives are constantly angling for conservatives to give them up. The person who controls icons of the past also has some power over everyone whose identity is represented by those icons.”

“Once Modern men discern that traditional things offer certain advantages, they are always tempted to say, “There is an awful lot about this I like. But I don’t like everything about it. Perhaps I can keep the parts I like and remove the parts that are distasteful and annoying.” However, if traditional things work just as well without the distasteful and unlikable parts, some sage would have removed those part a long time ago. The parts of old things that Modern men do not like are exactly what make old things work.”