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Kai Cheng Thom Books

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“Kimaya is also looking in the mirror, and I meet her gaze there. There is a look I do not like in her expression, a hint of something that doesn’t match her sweet tone and seems totally alien for my warm, generous femme sister. It is a look like I might wear—eyes narrow and lips pursed. She’s peering at herself, not liking what she sees. And I think about how fish means jealousy among femmes. About how we are all so hungry for what each other has, when the truth is none of us has enough to begin with. I think about how strange and funny it is that there are many femmes who would kill, who would sell their souls to Dr. Crocodile, for the chance to leave the Street of Miracles, when all my life I have been running toward it. And I think about how Kimaya is right, how fish means opportunity and privilege. Someday, I may swim away from here into another place. I remember my little sister back in Gloom, and how escaping always seems to mean leaving someone behind.”

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Book:Fierce Femmes and Notorious Liars
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“Honey, you hurt yourself,” she says, “because every- body around you hurts people and is hurting and that’s just the story you were given. You can’t get stuck in that. Don’t get stuck in any one story, not even your own. “That’s the difference between love and hunger,” she says. “Hunger is a story you get stuck in. Love’s the story that takes you somewhere new.”

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Book:Fierce Femmes and Notorious Liars
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“Honey, you hurt yourself,” she says, “because everybody around you hurts people and is hurting and that’s just the story you were given. You can’t get stuck in that. Don’t get stuck in any one story, not even your own. “That’s the difference between love and hunger,” she says. “Hunger is a story you get stuck in. Love’s the story that takes you somewhere new.”

LoveStoriesHurtHunger
Book:Fierce Femmes and Notorious Liars
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