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Subculture Quotes

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Subculture Quotes

“I'm asked a lot what the best thing about cooking for a living is. And it's this: to be a part of a subculture. To be part of a historical continuum, a secret society with its own language and customs. To enjoy the instant gratification of making something good with one's hands--using all one's senses. It can be, at times, the purest and most unselfish way of giving pleasure (thought oral sex has to be a close second).”

HumorFoodSubculture
Book:Kitchen Confidential: Adventures in the Culinary Underbelly
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“A school in the East Midlands, new term 1981-82. A new boy enters the class and is introduced by the teacher. He has spiky hair and wears a T-shirt, Doc Martens and tight denims with tiny turn-ups. He is instructed to sit [in] the nearest empty seat. The boy beside him has a flat-top and wears a tartan shirt, crepe shoes and loose denims with big turn-ups. As the latest addition to the class takes his seat he mutters to his new neighbour “Rockabilly bastard!” “Fucking Punk” replies his schoolmate, and they glare at each other menacingly. One year later they are wrecking wildly together at a Meteors gig – best of mates.”

MusicSubcultureRockabillyPsychobilly
Book:Hells Bent On Rockin': A History of Psychobilly
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“Many of the first generation of Psychobillies were often ignorant about the history of Rockabilly and gained their love of Rock’n’Roll not from lovingly collecting twenty-five year old 45’s tracked down in dusty American record stores but by watching ‘Grease’ and ‘Happy Days’ alongside seeing Matchbox and The Stray Cats on ‘Top Of The Pops’. This was a generation weaned on ‘The Wanderers’, ‘Lemon Popsicle’ and stacks of low-rent TV advertised Rock’n’Roll albums.... They may not have known who [1950s rockabilly-country singer] Narvel Felts and [1950s rockabilly artist] ‘Groovey’ Joe Poovey were but they sure as hell had heard of Darts and Showaddywaddy and they undoubtedly knew “who put the bomp in the bompshoobompshoobomp” never mind the fucking ramalamadingdong.”

MusicSubcultureRockabillyPsychobilly
Book:Hells Bent On Rockin': A History of Psychobilly
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“Drinking games were also part of the gig experience including a live favourite which would follow later in the band’s career, the infamous “Wheel of Misfortune,” a huge wheel to which punters were strapped to and spun after being fed a bucket of booze through a hose. This often resulted in the victim being left in an unconscious stupor or forced them to let go a multi-coloured fountain of puke. Snakebite [beer mixed with cider] was the supposed content of the bucket but many would shudder to think what foul potions were also added to the receptacle.”

MusicSubcultureRockabillyPsychobilly
Book:Hells Bent On Rockin': A History of Psychobilly
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“The modern rockabilly rebel is inevitably facing a tension between succumbing to the pull of the past—a kind of remembering—and a forgetting that the integrity of any embrace of the past is challenged as contrivance and dissimulation by the near-universal availability of the once-local, once-rebellious, and once-novel style.”

MusicSubcultureRockabilly
Book:Performance Anxiety in Media Culture: The Trauma of Appearance and the Drama of Disappearance
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“As I’ve said before, “the Mod generation”, contrary to popular belief, was not born in even 1958, but in the 1920s after a steady gestation from about 1917 or so. Now, Mod certainly came of age, fully sure of itself by 1958, completely misunderstood by 1963, and in a perpetual cycle of reinvention and rediscovery of itself by 1967 and 1975, respectively, but it was born in the 1920s, and I will maintain this. I don’t care who disagrees with me, and there are dozens of reasons that I do so —from the Art Deco aesthetic, to flapper fashions (complete with bobbed hair), to androgyny and subtle effeminacy, to jazz.”

FashionJazzBlog1920sSubcultureModArt DecoBlog PostMod Culture
Author:Ruadhán J. McElroy
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“There exists a culture shared even by those who are dissatisfied with mass culture, and it is among the most dangerous precisely because it is dazzling—deceptive. It is a culture that belongs to those who are "dissatisfied with the world as it is." This manifests in the following ways: They still carry a certain belief and hope in humanity. If they suffer, they might dream that their suffering will one day “be heard by everyone.” Through their works, they may fantasize about becoming popular. They might romanticize the psychiatric term "trauma." They might aim to "fix and recover" things or people. They might set their minds on leaving a "meaningful impact" and become activists. They might frequently “discuss” on philosophy forums. They might be aiming at “dark vibes.” They might cling to mottos like “forever alone.” They might refer to themselves as "just a random book lover.” They might have interests in “just some random weird stuff.” They might still be screaming into the void. They might try to “prove their depth” publicly. They might refer to themselves as "lost souls" to the point of weariness, even internalizing this very term—coined by the system to reduce by classifying them—implying a form of domesticated rebellion. And so on. These supposed outsiders are actually on the inside, worshipping at the altar of visibility, validation, and vague worldly hope. Their beliefs—“art-as-cure,” “literature-as-refuge,” “activism-as-purpose”—are not radical to the point of exile but packaged and predictable. They don't reject the system; they only ask to be understood within its boundaries. They weep, but with an eye to applause. They write, but always with a publisher in mind. They compose, but just to make money. They mourn, but only to be noticed. They claim detachment, but still speak as if begging to be liked and heard. They imagine themselves as “wild,” but only within the categories that subcultures and language allow. After all, there are two ends to the ruins: on one end, these kinds of “loners” who are still tied to conventional wisdom; and on the other, the utterly unknown, mystic, cosmic, and free spirits who have transcended everything human.”

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Author:Sov8840
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“To acquire the full consciousness of self is to know oneself so different from others that no longer feels allied with men except by purely animal contacts: nevertheless, among souls of this degree, there is an ideal fraternity based on differences,--while society fraternity is based on resemblances. The full consciousness of self can be called originality of soul, -and all this is said only to point out the group of rare beings to which Andre Gide belongs. The misfortune of these beings, when they express themselves, is that they do it with such odd gestures that men fear to approach them; their life of social contacts must often revolve in the brief circle of ideal fraternities; or, when the mob consents to admit such souls, it is as curiosities or museum objects. Their glory is, finally, to be loved from afar & almost understood, as parchments are seen & read above sealed cases.”

GeniusEsotericSubcultureEsoteric WisdomAndre Gide
Book:The Book of Masks
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“I am not saying that you have to be a jazz fan to be a Mod. The Mod scene incorporates a wide variety of music genres, and you don’t have to like all of them to be a Mod. Considering that, you may not have to like every genre generally accepted in the Mod scene, but a basic respect for the genres that helped lay the foundation for the scene (Jazz, Soul, British Rhythm and Blues), especially their place in the scene, is something I feel should be expected of anybody in the Mod scene who wants their opinion taken seriously. That said, let’s be realistic: You may not have to like any one or two or ten specific genres of Mod music, but if you don’t like any of them, yet still fancy yourself to be a “Mod”, don’t be surprised when people in the scene don’t take you seriously at all.”

SubcultureModModern Jazz
Author:Ruadhán J. McElroy
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“The lesson here is that tools often move faster than people. The ability to do something on a technical level doesn’t mean it’s destined to become a lifestyle movement. For that to happen, people first need a human character to represent whatever the new possibility might be; to make it feel more real.”

TechnologySubcultureCountercultureDigital NomadsWork From Anywhere Remote Work
Book:Global Natives: The New Frontiers of Work, Travel, and Innovation
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“The word of God is definitely above culture, in terms of what or who should have authority in our lives. However, we must remember that we are within culture, and our calling in Christ is to play our part in the redemption and transformation of individuals and cultures. I believe the recent history of the religious subculture teaches all too clearly that unless we are moving forward in seeking the genuine transformation of culture, then we are standing still and it is transforming us.”

ShouldBelieveStillsPlayRememberMovingCultureIndividualI BelieveTermChristReligiousChristianityTeachOur LivesCallingAuthorityStandingShould HaveTransformationSeekingGenuineMoving ForwardRedemptionWord Of GodTransformingStanding StillSubculture
Author:Steve Scott
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“I sort of do what I say and say what I do which I'm happy with because it makes my life real easy. When I was younger, people would say that I was inspired by David Lynch, so I went and watched his stuff and I was surprised. I thought it was smart, with what I was trying to do lyrically. So I started watching some of his stuff. I've never seen his movies in [their] entirety, I'm more interested in him as a person and how he came to be successful taking an alternative route, sort of a subculture icon.”

PeopleTryingPersonsRealEasyStuffSuccessfulSmartInspiredAlternativesBeing SuccessfulRoutesIconsEntiretySubculture
Author:Lana Del Rey
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“No science of any kind can be divorced from ethical considerations... Science is a human learning process which arises in certain subcultures in human society and not in others, and a subculture as we seen is a group of people defined by acceptance of certain common values, that is, an ethic which permits extensive communication between them.”

PeopleHumansKindCertainValuesProcessCommonGroupsAcceptanceCommunicationEthicsAriseDefinedConsiderationEthicalPermitDivorcedLearning ProcessHuman SocietySubculture
Author:Kenneth E. Boulding
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“Even personal tastes are learned, in the matrix of a culture or a subculture in which we grow up, by very much the same kind of process by which we learn our common values. Purely personal tastes, indeed, can only survive in a culture which tolerates them, that is, which has a common value that private tastes of certain kinds should be allowed.”

ShouldKindCertainValuesCultureGrowsProcessCommonGrowing UpTasteTolerateSubculturePersonal Taste
Author:Kenneth E. Boulding
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“I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.”

IfsLittlesDifferentBitsLittle BitTownsCompetitionFishingStakesContestsSmall TownBassAnnualsCarvingSubculture
Author:Ty Burrell
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“I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.”

FeelsKidsCitiesGrowing UpGrowingEffectsNew YorkGrewGrew UpNegativeSouthInternationalPopsAffectedNew York CityExposedSouth AfricaPop MusicConnotationSubcultureAfrican Music
Author:St. Lucia
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“Look, there's no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years, and for someone like me who's always tried to make a living at it, it's been great, I'm very grateful for it. But at the same time, it's not a subculture-y thing anymore; it's something that's in the New York Times and the New Yorker.”

YearsLooksLastsCultureNew YorkGratefulMovedLike MeMainstreamAmerican CultureNew York TimesNew YorkersSubculture
Author:Adrian Tomine
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