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Kate Braverman

Kate Braverman Books

Novelist

Palm Latitudes

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“This southern city which seems only peripherally and accidentally America. This city which was once an outpost of Spain and once a region of Mexico. This city webbed with boulevards bearing the names of Spanish psychotics and saints. This incomplete city which seems to have no recognizable past, no ground that could be called unassailably sacred. This incomplete city that speaks of an impending terror.”

“Now the wind begins to stir. They call this a Santa Ana, this wind which comes from the desert beyond the city, unpredictable and fierce, scenting the irradiated night with sagebrush and sand. She takes pleasure in the way it howls through its broken Spanish mouth, shattering leaves, breaking the branches of trees, etching its insistent southern story in a braille of twisted fronds. She enjoys the stillness in the mornings after the winds have passed, after the winds have ripped the palms, made confetti of the pale listless fronds, dragged their anemic sun-drained fronds to the ground. Then the city has been purified. A sense of salt lingers. The calligraphy is obvious. At such moments she understands exactly what God is saying. His voice rises with the clarity of church bells above the debris. And God is saying the party is over.”

“writing is about doing something very close to the bone. It's about shocking yourself. When I write, I like to make myself cry, laugh - I like to give myself an experience. I see a lot of writing out there that's very safe. But if you're not scaring yourself, why would you think that you'd be scaring anybody else? If you're not coming to a revelation about your place in the universe, why would you think anyone else would?”

“I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had.”

“They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?”

“Like I'm dragging bundles of old clothes? I'm carrying artifacts that breathe fire. I'm talking about a language of smoke. These are three-dimensional creatures that can mate. I'd no more leave them go by the side of the trail than I would my child. I'll carry them until someone amputates my arms.”