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Homecoming

Book by Kate Morton · 29 quotes · Home, Life, Love

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Homecoming Quotes

“That necklace," he said. Polly looked down to where her silver cat was hanging on the long chain. It needed a polish, she realized. She told him the story about the Victorian rattle, but when she'd finished he said, "I meant the little bird. Where did you find it?" Polly smiled. "Actually," she said, "I really did find it. Today, just before I met Kurt. I spotted it on the ground while I was walking. The sunlight caught on a piece of silver ribbon that must once have been tied to it and drew my eye." He was nodding. "Near the water hole?" She wondered how he knew, and then realized that of course Kurt must have told him where they'd met. "I like to collect things from nature. I'm always on the lookout. It's a hobby; my daughter and I used to beachcomb when she was small... I thought it was a stone at first, or a smooth seedpod. But it wasn't. It was this most perfect little bird. A wren, I think." "A fairy wren. We have a lot of them around here." "A fairy wren," said Polly, liking the name very much. "There was something almost magical about it. It was just lying there, as if it had been waiting for me to find it. I suppose that sounds silly." "Not at all." "I can be a bit of a romantic." "A fine trait. We'd have no books or music or paintings if not for the romantics among us.”

“I was not disturbed by the fact that the memories made me nostalgic, because I could never bring back the events, or that they made me sad, because they reflected only the positive side of experiences that had their negative side as well. Such is always the case with happy memories. What disturbed me was that they made me more than nostalgic and sad: they made me tired. Deeply, dumbly, blackly tired. (141)”

“As she stepped through the front door onto the verandah, a warm breeze brushed her face and she felt a heavy wave of deep familiarity: the smell of eucalyptus and sunbaked dirt, the light so bright it put creases around her eyes just to look at it. The slender blue gums on the ridge, ancient and watchful. This was the landscape of her childhood and she would never be able to escape its influence. But just as Daniel Miller had brought her to Halcyon, the books that she'd read as a child, lying beneath the ferns at Darling House, had taken her to lands where trees with names like oak and chestnut and elm grew in great, ancient forests, and the soil was moist and the sun was gentle, where there were magical words like "hedgerow" and "conker," and snow kissed the glass of windows in winter, and children went sledding at Christmas and ate "pudding" and "blancmange." And so, she had come to know another landscape, not just intellectually, but viscerally: a landscape of the imagination as real to her as the geographical landscape in which she moved. When she first arrived in England as a twenty-year-old graduate, she had stepped off the plane and known it already. Standing here now, looking across the valley toward the facing hill, Jess could imagine how homesick Isabel must have felt at times. She herself had been thinking about "home" a lot. Home, she'd realized, wasn't a place or a time or a person, though it could be any and all of those things: home was a feeling, a sense of being complete. The opposite of "home" wasn't "away", it was "lonely." When someone said, "I want to go home," what they really meant was that they didn't want to feel lonely anymore.”

“Standing here now, looking across the valley toward the facing hill, Jess could imagine how homesick Isabel must have felt at times. She herself had been thinking of 'home' a lot. Home, she'd realized, wasn't a place or a time or a person, though it could be any and all those things; home was a feeling, a sense of being complete. The opposite of 'home' wasn't 'away,' it was 'lonely.' When someone said, 'I want to go home,' what they really meant was that they didn't want to feel lonely anymore.”

“I likewise enjoyed the melancholy nature of the farewell party. I had a seat in history's waiting room: one train had just been shunted to an abandoned platform; the other was due in at any moment and would set off again after a brief halt. Not everyone who alighted from the first train would find a place in the second; many would remain in the waiting room, watching the snack bar close, the heating and lights go off. But as long as the old train was still out there and the new one still on its way, the snack bar was still open and everything was warm and brightly lit. (139-40)”

“Bellamy took Clarke’s hand, then leaned in and whispered, “Should we go check on your parents?” She turned to him and tilted her head to the side. “Don’t you think it’s a little early to be meeting my parents?” she teased. “After all, we’ve been dating less than a month.” “A month in Earth time is like, ten years in space time, don’t you think?” Clarke nodded. “You’re right. And I suppose that means that I can’t get mad at you if you decide to call it off after a few months, because that’s really a few decades.” Bellamy wrapped his arm around her waist and drew her close. “I want to spend eons with you, Clarke Griffin.” She rose onto her toes and kissed his cheek. “Glad to hear it, because there’s no going back now. We’re here for good.”

“Jess and Polly stood without speaking, letting the sounds of the garden resettle. A flock of tiny fairy wrens darted busily in and around the base of a nearby plum tree, crickets ticked in the long grass, and a sense of timelessness, of nature, older and more pervasive than anything human beings and their histories could generate, grew thick and warm around them. "Shall we take a walk down together?" said Polly. Jess noticed a new note of self-possession in her mother's voice. Summery air threaded across the back of her neck, and she felt a pull, suddenly, deep inside her. She didn't know whether it was being here, in this place, or the beautiful weather that evoked long childhood days in which the hours stretched away to be filled only with pleasure, or the fact that it was Christmas Eve, or that her mother was standing here with her, solid and present in a way she hadn't been before, so that Jess was seeing her as if for the first time. But she felt a sensation in her chest that was quite the opposite of loneliness. "Are you with me?" Polly was searching Jess's face, waiting for an answer. Jess gave a nod and smiled. "I am.”

“He felt like a character in a book. He thought of Mary Lennox as she discovered her secret garden. The blackberry bushes had become too thick to ride through and Percy dismounted, leaving Prince beneath the shade of a thick-trunked oak tree. He chose a strong whip of wood and started carving his way through the knotted vines. He was no longer a boy whose legs didn't always do as he wished; he was Sir Gawain on the lookout for the Green Knight, Lord Byron on his way to fight a duel, Beowulf leading an army upon Grendel. So keen was his focus on his swordplay that he didn't realize at first that he'd emerged from the forested area and was standing now on what must have been the top of a gravel driveway. Looming above him was not so much a house as a castle. Two enormous floors, with mammoth rectangular windows along each face and an elaborate stone balustrade of Corinthian columns running around all four sides of its flat roof. He thought at once of Pemberley, and half expected to see Mr. Darcy come striding through the big double doors, riding crop tucked beneath his arm as he jogged down the stone steps that widened in an elegant sweep as they reached the turning circle where he stood.”

“Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.”

“She was no longer the shy girl her schoolmates had teased or ignored; conversation came naturally, he laughed easily, they ranked their five favorite Keats poems, agreeing to tie "Bright Star" and "To Autumn" for the top spot. Flowers rained down as the light breeze set them free, surrounding them in a purple haze. "La Belle Dame," he said softly, reaching to take a bloom from her hair. His expression was serious, his keen eyes studying hers. "Full beautiful---a faery's child. Have mercy on me." Polly felt something turn deep inside her, like a key in a lock, and knew that there was no way back from here.”

“It's an ancient Anglo-Saxon tradition," Polly began, "the mixing of two ideas---one from earliest Christian times, the other from long before. The first Christians used to follow the custom of 'waking' a new church by singing, feasting, and praying in it." Jess, disappointed: "But that's not got nothing to do with a dead body." "I'm not finished yet." Jess mimed zipping her lips. "The other tradition I mentioned is much older. Long before the Christians came to Britain, an all-night vigil would be held over the body of the recently dead. Loved ones would mourn and chant and share stories of the person's life. It was called 'waking the dead'." Jess felt her eyes widen involuntarily as he thoughts went to Dr. Frankenstein and his monster, to Cathy's ghost haunting Withering Heights. "You mean they brought them back to life?" "Well, no." "But you said---" "Back then, the word 'wake' didn't mean to become alert; it meant 'to watch' or 'to guard'." "But what were they guarding against?" "There were those who believed the newly dead soul was at risk of theft by evil spirits." Soul theft at the hands of evil spirits had been almost as exciting as bringing the dead back to life.”

“It's an ancient Anglo-Saxon tradition," Polly began, "the mixing of two ideas---one from earliest Christian times, the other from long before. The first Christians used to follow the custom of 'waking' a new church by singing, feasting, and praying in it." Jess, disappointed: "But that's got nothing to do with a dead body." "I'm not finished yet." Jess mimed zipping her lips. "The other tradition I mentioned is much older. Long before the Christians came to Britain, an all-night vigil would be held over the body of the recently dead. Loved ones would mourn and chant and share stories of the person's life. It was called 'waking the dead'." Jess felt her eyes widen involuntarily as her thoughts went to Dr. Frankenstein and his monster, to Cathy's ghost haunting Wuthering Heights. "You mean they brought them back to life?" "Well, no." "But you said---" "Back then, the word 'wake' didn't mean to become alert; it meant 'to watch' or 'to guard'." "But what were they guarding against?" "There were those who believed the newly dead soul was at risk of theft by evil spirits." Soul theft at the hands of evil spirits had been almost as exciting as bringing the dead back to life.”

“The house stood high on the peninsula of Vaucluse, three stories tall with a turret on one side. It had been built in the middle of the nineteenth century, when Jess's great-great-great-grandfather arrived in the colony of New South Wales, and had been featured in several glossy books about architecture that her grandmother kept open on the display tables in the library. Inside it was entirely unpredictable: unexpected doorways led to hidden staircases that wound around brick chimneys and allowed a person to arrive in a vastly different part of the house from that which they'd left.”

“But Isabel was like no one Nora had met before. She was beautiful, of course---the otherworldly clarity of her English skin!---and possessed of the sort of poise Nora could only dream about. Beyond that, she was magnetic. Try as Nora might, she couldn't resist her brother's new wife. First, there was her voice when she spoke, that crisp accent and authoritative diction that made Miss Perry (strictest in a long line of governesses) seem like a drover's wife by comparison; next, there was her laugh, which rose like bubbles in a glass of champagne. And then there were her stories. True tales of adventure and daring, rivaling anything Nora had read in her Girls' Crystal Annuals: during the Blitz, Isabel had handled secret papers in Whitehall and later worked in some sort of capacity that she wasn't able to speak of at length (at least not then and there). Even more excitingly, she was an orphan---a real one, just like a girl in a book, whose parents had died in tragic circumstances when she was only young, casting her out of the nest and into a childhood of boarding schools and midnight feasts and hockey sticks and daring japes. Nora couldn't think of anything more romantic.”

“The connection we feel to other people isn’t bound by geography or space,” Wells began. Although Clarke could see him trembling, his voice was strong and clear. “Sasha and I grew up in two different worlds, each of us wondering and dreaming about what was out there. I watched from above, never knowing for sure whether humans had survived here on Earth. I didn’t know if we’d ever set foot on this planet again or if it would happen in my lifetime. And she looked up”—he pointed at the fading stars, still faintly visible in the dark blue sky—“and wondered if there was anyone up there. Had anyone survived the voyage into space? Had people managed to stay alive up there all these hundreds of years? For both of us, getting answers to our questions seemed so unlikely. But a million tiny forces moved us toward each other, and we got our answers. We found each other, even if it was just for a moment.” Wells took a deep breath and exhaled slowly. “Sasha was my answer.”

“The netsuke in question had been Mrs. Turner's favorite. Although not as elaborate as the others, there was something beautiful about the white rabbit. Human beings are drawn to symmetry, and the small figure crouched on all four haunches was a deeply satisfying creation. "She used to say it fit perfectly in one's palm," Mrs. Pike remembered to police. "She got me to hold it once, very gently, and wrap my fingers around its smooth back, and I'll be darned if she wasn't right."”