“I view my stories as sexual or personal. Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."” KnowsFeelsWritingStoriesMightLinesViewsComedyPiecesPerformancesVulnerableNarrativeVeinsKevinMonologues Author:Kevin Keck
“As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy.” PeopleWorldWayStoriesFormCertainReadingInterestingFictionComedyThis WorldBecomingLateCreatingNotionMemoirRealmsShakesDominantInteresting Ways Author:Kevin Keck
“I've always been a fan of comedy, and I understood from a young age that what makes most comedy work is the immediacy of first person experience. I'd spent a lot of time from 1995-1998 focusing almost exclusively on poetry, and it's an incredibly difficult form in which to achieve a sustained comic tone unless you're Alexander Pope.” FirstsPersonsAgeFormYoungDifficultComedyFansAchieveUnderstoodComicTonePopeYoung AgeFirst PersonImmediacy Author:Kevin Keck
