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“DYSTOPIA Dark, early streets and high walls of empty houses a lonesome bird singing a hollow duet with its own echo - autumn feels like spring once you have lost everything and stand with nothing to hold onto at winter's edge - walkways glooming in buzzing orange neon light imitating fallen leaves, making the city's concrete jungle a forest - soon November is here, crawling along the pavement and dulling the grey of the ruins they call buildings - sudden flickering accompanied by loud buzzing: the lights went out while winter's edge cuts violently through the streets & building cracks - the bird stopped singing.”

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“FLORENCE Soft emerald valleys lay in crimson light beneath the rolling hills; the waters of the Arno gleam like bronze the city's vein, so still. Each artist at the shore of the river stares in wonder and delight - how far do the lines reach across the bridge, beyond their work? One may seek rest under the cypresses and soft light of the August amber sun - here, at his grave, the city walls lay high around the garden, he knew once as paradise. His dark eyes still seem to pierce the lines of the hills, like he searches for his soul - still; (somewhere between the Arno and the nightfall). The trees - heavily laid with summer's fruit - stand high above the city in marble glance. Clear is now the dark sky - full of shards which dreamers call the stars.”

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“THE MONSTER & THE MAN One obstacle pierces his soul and calls him down the dark road - heavy sighing he must carry on and at last, the thorn is retrieved - with agony in his brown eyes - he suddenly sees: Fever dreams, scarlet on blue velvet, like ink drowning in words - words drowning inside his veins - words that pleaded in vain - words so scarlet... so stained. Empty lines for empty souls that carry too much inside; empty pages for empty hands with nothing else to hide nor to control the beast inside his soul.”

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“SIENA I wander down the steps along the walls of bricks and high houses - down to the waters that lay deep. Streaming down from the hill on which the old city was built with a tower standing high, that reaches up not far from the grave that these waters lay in. Alabaster is the hand that reaches in it and cold is the heart that touches the pale divine. Beating fast after climbing back to the light and narrow streets - I found now what it seeks. Descending down, down to the hidden stream - oh Siena, my goddess without a pomegranate seed.”

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“THE BALLADE OF SUMMER'S FALL Hues of pale green, on delicate olive branches the soft rustling of somberness along the fields of gold that lay themselves to gentle rest after another long summer. I have nothing to bury under them except my own heart -that is my soul's greatest regret, once my lines begin to fill in autumn, under the velvet gloom of shortening days. The admiration of the Florentine sun had doomed my words to become eventually a remembrance once September falls in October's pale hands. I shall have nothing to grieve for once the winter arrives, coming over the distant hills and laying bare the orchards along his way. I doomed them to become ruins by overthinking, hoping - at least once too often - for change; So, let it be then. I will mourn my mere passion for life in the presence of death - though my art may be eternal.”

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“October creeps into the room through faint grey light that stopped dancing on the windowsill since July left. Being haunted by silence makes the air grow weary and faintly colder. I hear the noise of people walking in solitude, thinking to themselves about others— sitting alone in between their steps. Company of ghosts on lonely eves, threading through the rustling of leaves. I can write down what haunts me, yet I cannot read the ones who do. October.”

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“At a certain point, you no longer hope; you just keep on existing. One day at a time, for the rest of your life. And that feeling is not shallow but runs deep— deeper than any happiness or love could ever run. A vein is a mere line poets like me used to write on and a lifeline where sailors swim towards at night. If we keep on writing and giving, we grow on that existing line with millions of words that save hope - and thus give existence and life.”

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“COLOURS IN THE MIRROR One day my pride will outlive myself and whatever remains of its colours will be remembered by others - for I was always my true self. I live too little for things that make me dream & care too much for fears that sleep in between the fine lines of my weary mind - so write me gentle words, for it may break. My diversity should not be a mistake but a celebration of identity & guiding light to others who ache to leave the numbness of »pretending-to-be«. We are not broken mirrors that hurt the world by showing our true reflection; we are merely hearts used to rejection - yet, their words will only blur but not break our shine.”

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“CROSSROAD Lights flicker above the crossroad shining in green now and then for people who won't cross and red for others - which won't stop; The dull grey splits the city in pieces of lines and corners, sometimes outshined by heavy rain and flooded glimpses of chaos; Broken glass upon crimson roads empty silence and nothing to say - while the city sleeps on and will awake, eventually.”

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“PIECES OF LIGHT I see the art of each heart reflecting the mirror that the world put it in front of - for so long that the lines so once so clear became hate for everything we see - blurring out the real; Seeing a thousand lights reflecting one's own means nothing anymore, now that we live by the one offered by the world; The price of being a small part of everyone's standard is being praised so, we may break into one single piece.”

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“THE MEADOWS OF MEDEA 'The meadows lay weeping with tears like an emerald's gleam; while every nightingale is seeking the shelter of its only willow's green. And silently, my step falls on leaves that carry me much further than I'd dream; for willows and thoughts are fading slowly while everything eternal is not seen - and yet they keep so many of us in good company - for some can not be on their own, nor can they be free. So I found peace, the one eternal each one seeks and so I left my soul for emerald's gleam; while the meadows still lay weeping with grief over my grave so quietly for it lays beneath the shadow of its only willow's green.”

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“MARBLE GRAVES The silver moon stands silent between two cypresses - its light leaning against the walls of the old palazzo that lays in ruin. Hidden behind olive groves lays the tomb of forgotten men and unsung heroes. Their souls found peace within the Allgrove's of singing cicadas and rustling long grass. The marble is heavy and their graves cool and dark - deep is their sleep eternal their demise. The moon is slowly covered by a shroud of clouds, cypresses now lay in darkness - silence.”

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“OUR OLYMP At this altitude of wavering faith and dying stars our love could not stand a chance; it disappears slowly within my rhymes sky. Fading along the pale darkness like a path of crumbling anecdotes on old crumpled philosophers' notes. I can not see the moon anymore - neither I can imagine the place where it should rest tonight in the sky of ours, where it used to be so bright. The Gods themselves dare not make a home at this height of our hearts, for even the immortals would refuse to hold sacred a place so high. Even our wishes refuse to fall at the mountains feet, still climbing, trembling, and slowly loosing - defeat.”

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“SAN GIMIGNANO The towers align the hills like crowns of heavy stones; Empty are the dreams of the ones that built them long ago. The thirst for power still stands frozen in its tracks - the only witnesses of it stand high against the silver sky. The distance gets smaller, and the towers become higher. So many have fallen, laying their family's name to rest, in gentle forgetfulness.”

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“A POET'S HOMAGE TO FLORENCE What heart dares to look upon a city so golden and is not moved to write a single line? Whose soul can bear such beauty and not praise it with all its words? May there be poets without a page left, artists with no colour to give a memory of you; and even lovers who refuse to burn? My love, your likeness is like marble that makes the altar of paradise.”

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“PERSEPHONE (the spring ballade) Every heart is blooming upon a field of doubt and the flowers autumn reaps - he knows every name about. They grow never in line, although always in the shape of each soul of every lonesome doubt. So whenever I wander along my sorrow's path the horizon behind me glows crimson with all the broken hearts it carries on. A thought yet not dreamt is a love unplanted by hands of grieve - For each who does not bloom by now is long lost in summer's eyes, For autumn reaps but does not give a single tear to water the ground in which he steers sometimes so aimlessly.”

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“3 A.M. SAINTS It is 3 a.m. again and you are showing me all of your sins by holding up your scars to the starless sky. Painting the entire universe with gold and clothing my velvet heart in purple - we become saints within those unholy hours close to dawn. Still, the world is spinning - even though it feels a little slower now - while the silence carries us away into the next day.”

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“QUIET WRITING Quiet does not mean that we have nothing to say, or that we leak the power of speech - we rise up and tell our truths even if it feels like people don't like it the least; Writing is our means to have something to tell when we lost our voice suddenly we still stand behind our truths even if it feels like people won't like it. Beautifully are the quiet lines written with thunder and silent boldness - for we can have a revolution inside the pages of nowadays.”

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“EDINBURGH Sombre echoes that mark the dawning that is greying on the hills; the steep streets still wet from rain the small buildings look emptier with each day passing on; thoughts are done passing rounds - counting circles inside my head. pale faces of familiar strangers crossing me on the way back to a place that used to feel like home - falling back in time.”

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