Quotessence
Home / Authors / Lidia Yuknavitch Books
Lidia Yuknavitch

Lidia Yuknavitch Books

Author

Dora: A Headcase

A source page for quotes linked to Lidia Yuknavitch.

0 quotes

The Book of Joan

A source page for quotes linked to Lidia Yuknavitch.

0 quotes

Thrust

A source page for quotes linked to Lidia Yuknavitch.

0 quotes

Related Quotes

“However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It’s what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can’t remember. Their memories remain the closest replica of actual events. Underwater. Forever.”

TruthMemoirStorytelling
Book:The Chronology of Water
Create image

“He was too beautiful. Way more beautiful than me and way more beautiful than a beautiful woman. Have you met these men? His too beautiful voice and his beautiful hands and his beautiful cock. But the beauty went all haywire on the inside because he thought he was shit. And that thinking he was shit? It transformed him into the exact opposite of me - the most passive man on the planet. Particularly around any kind of high energy or conflict. Which was basically me, in the flesh.”

MenBeautiful
Book:The Chronology of Water
Create image

“What she thinks and feels is this: This is a world of men. They come into your country, they invade your home, they kill your family. They turn your body into the battlefield — the territory of all violence — all power — all life and death. And we take it. We do. We keep taking it. We have lost track of the reasons we do not slaughter the world of men, but we do not. Yes, there are good men. She sees the face of her father. She sees how the filmmaker loves the writer. She sees the yet-unwritten life of the writer’s son. She sees her. . brother. Beautiful smear. But it is the world of men that creates pure destruction. And this is a truth we cannot bear: Since we bear them into the world, we cannot kill them. Cannot be done with them. Cannot exile them into oblivion.”

MenViolenceDestruction
Book:The Small Backs of Children
Create image

“Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence—just getting through to the real part of your life—but it's more than that. Sometimes your whole life happens in those years, and the rest of your life it's just the same story playing out with different characters. I could die tomorrow and have lived the main ups and downs of life. Pain. Loss. Love. And what you all so fondly refer to as wisdom. Wanna know the difference between adult wisdom and young adult wisdom? You have the ability to look back at your past and interpret it. I have the ability to look at my present and live it with my whole body.”

InspirationalWisdomYouthYoung AdultYaAdolescenceLidiaYuknavitchDora A Headcase
Book:Dora: A Headcase
Create image

“There's a girl calm people don't know about. It's a girl teen standstill. A motionless peace. It doesn't come from anywhere but inside us, and it only lasts for a few years. It's born from being a not woman yet. It's free flowing and invisible. It's the eye of the violent storm you call my teenage daughter. In this place we are undisturbed by all the moronic things you think about us. Our voices like rain falling. We are serene. Smooth. With more perfect hair and skin than you will ever again know. Daughters of Eve.”

InspirationGirlPowerTeenagerTeenagers And ParentsLidiaYuknavitchDoraHeadcase
Book:Dora: A Headcase
Create image

“In the film Death and the Maiden, there is a point during which Sigourney Weaver has duct-taped Ben Kingsley to a chair in her living room. The characters are re-enacting a reverse torture scene. To move the plot of a woman tortured toward its desire: to torture the torturer. To extract a confession. The chair is a prop. A prop is a stage object that supports the drama. If the audience suspends their disbelief the chair transforms itself in time and space. If the audience is left unconvinced the chair is silly and imaginable in anyone’s living room. In the film Romeo is Bleeding Lena Olin sits in a chair and spreads her legs so that her cunt can be seen/scene. Her nationality keeps slipping; she is what we want her to be in a million ways. Her severed arm our severed arms. Her mouth opening like a country. In the film Exotica Atom Egoyan has the male lead (primary actor, financial draw) sit in a chair immobile while a child-stripper dances excruciatingly close to his body. His hands on his thighs. His mouth open. His mind seated. Torture. In the film Barbarella Jane Fonda is trapped inside of a science fiction sexual orgasm chair. This is before her politics come. In the film Breaker Morant two men mutated soldiers lost are executed—shot through the chest—while seated in chairs. In my kitchen I jack my father off while he sits in a chair, my hand smally domestic, the back of the chair holding his back, the legs of the chair forgiving his weight, the wood of the chair blonde, the hair of the girl blonde, the room magnified to cinematic proportions.”

Props
Book:Liberty's Excess: Fictions
Create image

“When I say misfit, I’m talking about the fact that some of us just never found a way to fit in at all, from the get-go, all through our evolving lives, including in the present tense. I’m talking about how some of us experience that altered state of missing any kind of fitting in so profoundly that we nearly can’t make it in life. We serially flounder, or worse, we drown in our inabilities or mistakes, or even worse—since I’m old enough to understand that sometimes some of us don’t make it at all—we give up. Love and peace to the star stuff that carries those misfits we have lost too soon.”

MistakesMisfitFlounder
Book:The Misfit's Manifesto
Create image

“Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.”

ArtReasonFormWaterFictionIssuesStylePaintingElementsStrategyStructureMemoirCraftsNonfictionCompositionFormalPreciseCritiqueChronology
Author:Lidia Yuknavitch
Create image

“On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir?”

IfsWritingWellsPersonsFormLiteratureDoorsIllProductionsMemoirEducatedEnteringSpectrum
Author:Lidia Yuknavitch
Create image

“Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.”

SaidSometimesBodyRealityLanguageSpaceEmotionCasesExampleBlowAbstractPoeticPreciseMisunderstoodPrimalEmilySpace BetweenDeep Emotions
Author:Lidia Yuknavitch
Create image

“The WRITER of memoir gets incoming weirdness in very odd ways. I was recently talking to a memoir writer whose work just went meteoric - but some of the comments and communications and gestures she gets in the wake of that success are stunningly and atrociously over-personal, as if suddenly people feel like they know her and her life intimately, and have permission to transgress all her "life" boundaries.”

PeopleIfsKnowsWayFeelsTalkingCommunicationBoundariesMemoirOddCommentGesturesPermissionWeirdness
Author:Lidia Yuknavitch
Create image

“The best memoirs - like This Boy's Life, or Crazy Brave [by Joy Harjo], for instance - bring you through a private river of storytelling that joins a major ocean of human struggle and joy. The act of enunciation - the forms and strategies of storytelling - are every bit as literarily serious as they are in poetry or other prose forms.”

HumansFormJoyBitsBoysStruggleCrazySeriousOceanMajorsRiversStrategyBraveMemoirStorytellingInstanceProse
Author:Lidia Yuknavitch
Create image

“Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation.”

WritingBodyFormChoicesTermStyleMovementOffersTraditionCombinationPrincipalRepresentationFormalModernismExperimentationLinguisticsPostmodernismDeconstructionSemiotics
Author:Lidia Yuknavitch
Create image

“One path I've used a lot is to deeply and thoughtfully consider a trope or a tradition, and then set about taking it apart - but only in the service of a character or story that deserves it. Another path I often employ is to put form into "play" - to set it free from its ordinary constraints and let it be free-floating and broken-apart and rearranged.”

PlayCharacterStoriesFormUsedPathBrokenOrdinaryDeserveTraditionFloatingConstraintsTropes
Author:Lidia Yuknavitch
Create image