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Lindy West

Lindy West Quotes

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Famous Lindy West Quotes

“Chris Tucker gives Jackie Chan his LAPD ID and tells him to pretend to be LAPD if anything goes sideways in the Foo Chow restaurant. Jackie Chan looks at the ID with Chris Tucker’s picture on it and says, “This won’t work—I’m not 6′1″!” And that’s just a gorgeously structured classic joke.”

HumorJokeRush HourMovie CriticsJackie ChanChris Tucker
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“And for all of its moments that didn’t age well, there’s just no denying that Chris Tucker is a big bright shining star and one of the most naturally funny and watchable human beings to ever live and Jackie Chan is a narcotically lovable model of masculine warmth, and some things are just greater than the sum of their parts on a level that is magic!”

HumorRush HourMovie CriticsJackie ChanChris Tucker
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“Johnson defuses the bomb. Jackie Chan runs around trying to beat up all the guys AND save all the art, which is a 10/10 formula... Then Jackie Chan falls too, but Chris Tucker saves him. NOW THEY ARE TRUE BEST FRIENDS AND THEY GO ON A BEACH VACATION TOGETHER TO HONG KONG. Rush Hour is a flawed thing, a creature of 1998, and it is not my jurisdiction to dismiss its faults. But complicated love is still love.”

HumorRush HourMovie CriticsJackie ChanChris Tucker
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“I know that gen Z has it tough—they’re losing their proms and graduations to the quarantine, they’re on deck to bear the full brunt of climate catastrophe, and they’re inheriting a carcass of a society that’s been fattened up and picked clean by the billionaire class, leaving them with virtually no shot at a life without crushing financial and existential anxiety, let alone any fantasy of retiring from their thankless toil or leaving anything of value to their own children. That’s bad. BUT, counterpoint! Millennials have to deal with a bunch of that same stuff, kind of, PLUS we had to be teenagers when American Pie came out!... American Pie absolutely captivated a generation because my generation is tacky as hell. “I have a hot girlfriend but she doesn’t want to have sex” was an entire genre of movies in the ’90s. In the ’90s, people loved it when things were “raunchy” (ew!). Every guy at my high school wanted to be Stifler! Can you imagine what that kind of an environment does to a person? To be of the demographic that has a Ron Burgundy quote for every occasion, without the understanding that Ron Burgundy is a satire? This is why we have Jenny McCarthy, I’m pretty sure, and, by extension, the great whooping cough revival of 2014. Thanks a lot, jocks!”

HumorJocksMovie CriticsRaunchyAmerian PieJenny MccarthyRon BurgundyStifler
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.”

HumorMovie CriticsThe RockNicolas CageSean ConneryEd Harris
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“One thing you can say about Twilight is that it is not boring. There are a billion characters, they’re always saying some crazy shit, and they’re SO HORNY! Twilight feels like it was written by an AI that almost gets it. Something is just 2 percent off about every line and every interaction, which, taken cumulatively, is like a window into one of those dimensions where everything is identical to ours except cats and turtles are switched and Prince never died. Twilight took me out of my body in a way that did not give me pleasure but did give me fascination, and when it was over, I couldn’t believe it, but I felt compelled to watch the next one just to continue the satisfying, itchy glitch of it all. Twilight kept me awake, which honestly is more than I can say for Top Gun, peace be upon Tony Scott (I stan Déjà Vu). For instance, this is the opening line of the movie, delivered in sullen voice-over by Bella (Kristen Stewart): “I’ve never given much thought to how I would die, but dying in the place of someone I love seems like a good way to go.” WHAT???????????????????????????????????????????? How is that a “good way to go”!? There are zero versions of that “way to go” that don’t involve some sort of violent hostage situation and/or dystopian fascist cull... If you’re picking a hypothetical “way to go,” pick something that doesn’t include your life and the life of a dear one being leveraged against each other in some zero-sum villainous endgame! What!?!? You weirdo!”

HumorAiTwilightVampiresMovie CriticsKristen Stewart
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“Blah blah blah run from the raptors some more, and then OH SHIT, T. REX COMES IN AND SAVES THE DAY AND EATS THE RAPTORS AND IT IS RIGHTEOUS AS HELL. Keep this metaphor with you always—it is very useful when you have more than one problem at once. Sometimes you have to let the T. rex fight the raptors. RATING: 10/10 DVDs of The Fugitive.”

HumorMetaphorsJurassic ParkMovie CriticsT RexRaptors
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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“The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.”

Humor2003Bad Boys IiMichael Bay
Book:Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
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