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Lynn Povich

Lynn Povich Books

Journalist

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“We were women in transition, raised in one era and coming of age in another, very different time...here we were, entering the workplace in the 1960s questioning--and often rejecting--many of the values we had been taught. We were the polite, perfectionist "good girls," who never showed our drive or our desires around men. Now we were becoming mad women, discovering and confronting our own ambitions, a quality praised in men but stigmatized--still--in women.”

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Book:The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace
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“There were elements of Mad Men at Newsweek, except that unlike the natty advertising types, journalists were notorious slobs and our two- and three-martini lunches were out of the office, not in...Kevin Buckley, who was hired in 1963, described the Newsweek of the early 1960s as similar to an old movie, with the wisecracking private eye and his Girl Friday. "The 'hubba-hubba' climate was tolerated," he recalled. "I was told the editors would ask the girls to do handstands on their desk. Was there rancor? Yes. But in this climate, a laugh would follow.”

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Author:Lynn Povich
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“...at Newsweek only girls with college degrees--and we were called "girls" then--were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.”

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Book:The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace
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“What led to our revolt? Why did our generation suddenly realize that our place in society was changing--and had to change? In part, we were carried by the social and political currents of our time...But even with the social winds in our sails and the women's movement behind us, each of us had to overcome deeply held values and traditional social strictures. The struggle was personally painful and professionally scary. What would happen to us? Would we win our case? Would we change the magazine? Or would we be punished? Who would succeed and who would not? And if our revolt failed, were our careers over--or were they over anyway? We knew that filing the suit legally protected us from being fired, but we didn't trust the editors not to find some way to do us in. Whatever happened, the immediate result is that it put us all on the line. "The night after the press conference I realized there was no turning back," said Lucy Howard. "Once I stepped up and said I wanted to be a writer, it was over. I wanted to change Newsweek, but everything was going to change.”

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Book:The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace
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“I quickly realized that I enjoyed editing more than writing. I felt more suited to it and it fit my nurturing personality. I had lots of ideas and a strong sense of structure, and I enjoyed working with talented writers, relishing the give-and-take in making their work better.”

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Book:The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace
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