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Madeline Miller

Madeline Miller Quotes

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“Name one hero who was happy." "You can't." He was sitting up now, leaning forward. "I can't." "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret." "Tell me." I loved it when he was like this. "I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it”

“...They never let you be famous and happy.' He lifted an eyebrow. 'I'll tell you a secret.' 'Tell me.' I loved it when he was like this. 'I'm going to be the first.' He took my palm and held it to his. 'Swear it.' 'Why me?' 'Because you're the reason. Swear it.' 'I swear it,' I said, lost in the high colour of his cheeks, the flame in his eyes.”

“She's like cream, she's that soft. Once her thighs are around you, you'll forget your own name. The boys' voices had been sharp with excitement, their color high. But when I tried to imagine what they spoke of, my mind slid away, like a fish who would not be caught. Other images came in their stead. The curve of a neck bent over a lyre, hair gleaming in firelight, hands with their flickering tendons. We were together all day, and I could not escape: the smell of the oils he used on his feet, the glimpses of skin as he dressed.”

“His gaze, which had been following the circling fruit, flickered to mine. I did not have time to look away before he said, softly but distinctly, “Catch.” A fig leapt from the pattern in a graceful arc towards me. It fell into the cup of my palms, soft and slightly warm. I was aware of the boys cheering. One by one, Achilles caught the remaining fruits, returned them to the table with a performer’s flourish. Except for the last, which he ate, the dark flesh parting to pink seeds under his teeth. The fruit was perfectly ripe, the juice brimming. Without thinking, I brought the one he had thrown me to my lips. Its burst of grainy sweetness filled my mouth; the skin was downy on my tongue. I had loved figs, once.”

“Dopo aver mutato gli uomini di un equipaggio, il guardavo raspare e gridare nel porcile, defecarsi addosso l'un l'altro, instupidirsi dall'orrore. Odiavano tutto, le loro carni adesso voluttuose, i loro piedi fessi, i loro ventri gonfi strascicanti nel fango. Era un'umiliazione, un'abiezione. Morivano dalla nostalgia delle loro mani, per quelle appendici che gli uomini usano per mitigare il mondo. Andiamo, dicevo io, non è poi così male. Dovreste apprezzare i vantaggi di essere dei maiali. [,,,] Non mi stavano mai a sentire. La verità è che gli uomini sono dei pessimi maiali.”

“Scylla was not born a monster. I made her.” His face was in the fire’s shadows. “How did it happen?” There was a piece of me that shouted its alarm: if you speak he will turn gray and hate you. But I pushed past it. If he turned gray, then he did. I would not go on anymore weaving my cloths by day and unraveling them again at night, making nothing. I told him the whole tale of it, each jealousy and folly and all the lives that had been lost because of me. “Her name,” he said. “Scylla. It means the Render. Perhaps it was always her destiny to be a monster, and you were only the instrument.” “Do you use the same excuse for the maids you hanged?” It was as if I had struck him. “I make no excuse for that. I will wear that shame all my life. I cannot undo it, but I will spend my days wishing I could.” “It is how you know you are different from your father,” I said. “Yes.” His voice was sharp. “It is the same for me,” I said. “Do not try to take my regret from me.” He was quiet a long time. “You are wise,” he said. “If it is so,” I said, “it is only because I have been fool enough for a hundred lifetimes.” “Yet at least what you loved, you fought for.” “That is not always a blessing. I must tell you, all my past is like today, monsters and horrors no one wants to hear.” He held my gaze. Something about him then reminded me strangely of Trygon. An unearthly, quiet patience. “I want to hear,” he said.”

“I have done it,' she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. ACHILLES, it reads. And beside it, PATROCLUS. 'Go,' she says. 'He waits for you.' In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood, like a hundred golden urns pouring out the sun.”

“He seizes my hand, and crows to me of the day's events, of how his name was on everybody's lips, of the power of his absence, big as a Cyclops, walking heavily amongst the soldiers. The excitement of the day has flared through him, like flame in dry grass. For the first time, he dreams of killing: the stroke of glory, his inevitable spear through Hector's heart. My skin prickles to hear him say so. 'Do you see?' he says. 'It is the beginning!' I cannot escape the feeling that, below the surface, something is breaking.”

“I learned to sleep through the day so that I would not be tired when he returned; he always needed to talk then, to tell me down to the last detail about the faces and the wounds and the movements of men. And I wanted to be able to listen, to digest the bloody images, to paint them flat and unremarkable onto the vase of posterity. To release him from it and make him Achilles again.”