“Well, harpsichord is kind of a big guitar, isn't it? I mean, it is plucked, after all.” WellsKindMeanBigsGuitar Author:Mahan Esfahani
“Gorecki, you know, there's a kind of personal thing there for me. I had, you know, kind of become obsessed with that sort of Soviet Bloc period. And actually, a lot of composers in the Soviet Bloc - Gorecki's not the only one - are writing for the harpsichord as a sort of reaction against enforced Soviet realism, expressionism, sort of enforced modernism.” KnowsWritingKindPeriodsReactionsObsessedSovietComposerRealismModernismPersonal ThingsExpressionism Author:Mahan Esfahani
“One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.” IfsThinkingKnowsWayGivingKindMeanLastsLyingSpeakMinutesColorSonCoupleCapableTrackWideVarietyRangeAssumptionVariation Author:Mahan Esfahani
