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Marlena De Blasi

Marlena De Blasi Biography

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“They all know the truth, that there are only three subjects worth talking about. At least here in these parts," he says, "The weather, which, as they're farmers, affects everything else. Dying and birthing, of both people and animals. And what we eat - this last item comprising what we ate the day before and what we're planning to eat tomorrow. And all three of these major subjects encompass, in one way or another, philosophy, psychology, sociology, anthropology, the physical sciences, history, art, literature, and religion. We get around to sparring about all that counts in life but we usually do it while we're talking about food, it being a subject inseparable from every other subject. It's the table and the bed that count in life. And everything else we do, we do so we can get back to the table, back to the bed.”

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Book:A Thousand Days in Tuscany: A Bittersweet Adventure
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“It was Don Paolo's birthday and all the people of the village were gathered in the piazza to celebrate him. The band played, the wine flowed, the children danced, and, as he stood for a moment alone under the pergola, a little girl approached the the beloved priest. "But Don Paolo, are you not happy?" she asked him. "Of course I am happy," he assured the little girl. "Why, then, aren't you crying?”

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Book:The Lady in the Palazzo: At Home in Umbria
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“She's a woman. Like a chameleon does, a woman quietly blends into all the parts of her life. Sometimes you can hardly tell she's there, she's so quiet going on about her business. Feed the baby. Muck the stables. Make soup from stones. Make a sheet into a dress. She doesn't count on destiny for anything. She knows its her own hands, her own arms, her own thighs and breasts that have to do the work. Destiny is bigger in men's lives. Destiny is a welcome guest in a man's house. She barely knocks and he's there to open the door. "Yes, yes. You do it," he says to destiny and lumbers back to his chair.”

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Book:That Summer in Sicily: A Love Story
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“Gauntlets are the stuff of every life, but when you learn young how to pick them up, how to work them against the demons, and finally how to outlast if not escape those same demons, life can seem more merciful. It's that long, smooth, false swanning through life that seems to drive a person, sooner or later, into the wall.”

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Book:A Thousand Days in Venice: An Unexpected Romance
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“Much of my crying is for joy and wonder rather than for pain. A trumpet's wailing, a wind's warm breath, the chink of a bell on an errant lamb, the smoke from a candle just spent, first light, twilight, firelight. Everyday beauty. I cry for how life intoxicates. And maybe just a little for how swiftly it runs.”

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Book:A Thousand Days in Venice: An Unexpected Romance
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“Living as a couple never means that each gets half. You must take turns at giving more than getting. It’s not the same as a bow to the other whether to dine out rather than in, or which one gets massaged that evening with oil of calendula; there are seasons in the life of a couple that function, I think, a little like a night watch. One stands guard, often for a long time, providing the serenity in which the other can work at something. Usually that something is sinewy and full of spines. One goes inside the dark place while the other one stays outside, holding up the moon.”

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Author:Marlena De Blasi
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“I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.”

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Author:Marlena De Blasi
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