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Minnie Bruce Pratt

Minnie Bruce Pratt Books

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“And despite the punishments for boundary crossing, we continue to live, daily, with all our contradictory differences. Here I still stand, unmistakably "feminine" in style, and "womanly" in personal experience - and unacceptably "masculine" in political interests and in my dedication to writing poetry that stretches beyond the woman's domain of home. Here I am, assigned a "female" sex on my birth certificate, but not considered womanly enough - because I am a lesbian - to retain custody of the children I delivered from my woman's body. As a white girl raised in a segregated culture, I was expected to be "ladylike" - sexually repressed but acquiescent to white men of my class - while other, darker women were damned as "promiscuous" so their bodies could be seized and exploited. I've worked outside the home for at least part of my living since I was a teenager - a fact deemed masculine by some. But my occupation is now that of teacher, work suitably feminine for a woman as long as I don't tell my students I'm a lesbian - a sexuality thought too aggressive and "masculine" to fit with my "feminity.”

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“No one had turned to us and held out a handful of questions: How many ways are there to have the sex of girl, boy, man, woman? How many ways are there to have gender - from masculine to androgynous to feminine? Is there a connection between the sexualities of lesbian, bisexual, heterosexual, between desire and liberation? No one told us: The path divides, and divides again, in many directions. No one asked: How many ways can the body's sex vary by chromosomes, hormones, genitals? How many ways can gender expression multiply - between home and work, at the computer and when you kiss someone, in your dreams and when you walk down the street? No one asked us: What is your dream of who you want to be?”

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“We're trained to see only male or female and to plot people into those categories when they actually don't fit neatly at all. But if we pause, watch and listen closely we'll see the multiplicity of ways in which people are sexed and gendered. There exists a range of personal identifications around woman, man, in-between-we don't even have names or pronouns that reflect that in between place but people certainly live in it.”

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“I began to write poetry again in 1975, when I fell in love with another woman. I returned to poetry not because I had “become a lesbian”—but because I had returned to my own body after years of alienation. The sensual details of life are the raw materials of a poet—and with that falling-in-love I was able to return to living fully in my own fleshly self.”

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