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Pat Barker

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“Elinor retreated to the terrace where the night air on her skin felt like a hot bath. She was hurt, it had been such an onslaught. All the things she'd achieved in the past four years, the independent life she'd built for herself, seemed to count for nothing here. The only thing that mattered to her mother was finding a husband. As for painting, well, nice little hobby, very suitable, but you won't have much time for that when the children arrive.”

“Everything stinks: creosote, bleach, disinfectant, soil, blood, gangrene. The military authorities say uniforms must be preserved at all costs, but that means manhandling patients who are in agony. Cut them off, says Sister Byrd, and she's the voice of authority here, in the Salle d'Attente, not some gold-braid-encrusted crustacean miles away from blood and pain, so cut they do, snip, snip, snip, snip, as close to the skin as they dare. On either side of Paul as he cuts are two long rows of feet: yellow, strong, calloused, scarred where blisters have formed and burst repeatedly. Since August they've done a lot of marching, these feet, and all their marching has brought them to this one place.”

“Obvious choices for the east window: the two bloody bargains on which civilization claimed to be based. The bargain, Rivers though, looking at Abraham and Isaac. The one on which all patriarchal societies were founded. If you, who are young and strong, will obey me, who am old and weak, even to the extent of being prepared to sacrifice your life, then in the course of time you will peacefully inherit, and be able to exact the same obedience from your sons. Only we’re breaking the bargain, Rivers thought. All over northern France, at this very moment, in trenches and dugouts and flooded shell-holes, the inheritors were dying, not one by one, while old men, and women of all ages, gathered together and sang hymns.”

“He remembered the feel of No Man's Land, the vast, unimaginable space. By day, seen through a periscope, this immensity shrank to a small, pock-marked stretch of ground, snarled with wire. You never got used to the discrepancy. Part of its power to compel the imagination lay precisely in that. It was the difference between seeing a mouth ulcer and probing it with your tongue.”

“Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem for the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.”

“Sometimes, in the trenches, you get the sense of something, ancient. One trench we held, it had skulls in the side, embedded, like mushrooms. It was actually easier to believe they were men from Marlborough's army, than to think they'd been alive a year ago. It was as if all the other wars had distilled themselves into this war, and that made it something you almost can't challenge. It's like a very deep voice, saying; 'Run along, little man, be glad you've survived”