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Richard Hugo

Richard Hugo Biography

Poet

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“Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed. Write with what gives you the most sensual satisfaction. Write in a hard-covered notebook with green lined pages. Green is easy on the eyes. Blank white pages seems to challenge you to create the world before you start writing. It may be true that you, the modern poet, must make the world as you go, but why be reminded of it before you even have one word on the page? Don’t erase. Cross out rapidly and violently, never with slow consideration if you can help it. Start, as some smarty once said, in the middle of things. Play with syntax. Never want to say anything so strongly that you have to give up the option of finding something better – if you have to say it, you will. Read your poem aloud many times. If you don’t enjoy it every time, something may be wrong. If you ask a question, don’t answer it, or answer a question not asked, or defer. (If you can answer the question, to ask it is to waste time). Maximum sentence length: seventeen words. Minimum: One. Don’t be afraid to take emotional possession of words. If you don’t love a few words enough to own them, you will have to be very clever to write a good poem.”

PoetryWriting Craft
Book:The Triggering Town: Lectures and Essays on Poetry and Writing
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“...an imagined town is at least as real as an actual town. If it isn't, you may be in the wrong business. Our words come from obsessions we must submit to, whatever the social cost. It can be hard. It can be worse forty years from now if you feel you could have done it and didn't. It is narcissistic, vain, egotistical, unrealistic, selfish, and hateful to assume emotional ownership of a town or a word. It is also essential.”

IfsFeelsYearsMayRealHardDoneSocialEmotionalCostEssentialsTownsAssumingSelfishObsessionVainFortySubmitOwnershipHatefulNarcissisticOur WordsEgotistical
Author:Richard Hugo
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“Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.”

IfsFirstsMayHardSeemsHappensEasyWaitingWonderHard WorkLuckyResponsibleAccidentsEaseThriveBothered
Author:Richard Hugo
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“I will garden on the double run, my rhythm obvious in the ringing rakes, and trust in fate to keep me poor and kind and work until my heart is short, then go out slowly with a feeble grin, my fingers flexing but my eyes gone gray from cramps and the lack of oxygen.”

HeartKindEyeRunningDeathPoorGoneFateDyingMy HeartGardenFingersObviousRhythmGrayOxygenImpermanenceRakesCrampsFlexing
Book:The Real West Marginal Way: A Poet's Autobiography
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