“When I use a name or place, I want to leave the reader open to the waterfall of determinacy that it may provoke. And I don't know, but I must mention the name Borges. I try to mention it in every one of my works. It's a mark, a stamp, a sort of homage to Argentinidad. But it's an homage that works through pat phrases, those stock images that populate his work: the night, labyrinths, libraries. That is, I don't want simply to pay homage to Borges, but rather the contrary: to recall his commonplaces.” KnowsWantTryingMayUseNightNamesPayReaderMarkLibraryContraryPhrasesWorking ItRecallsProvokingStampsCommonplaceLabyrinthHomageWaterfallsBorges Author:Sergio Chejfec
“For me, it's a way to find a fiction within a fiction. To find a way to uncover that blunder within the "lie," because when you look closer, every "lie" - and I say that with quotation marks - can be much more complicated. Because that is what fiction is: it's probably the least important thing in the world. It's rich, but it is put-on, it passes the time. It borrows from the world, but it does not invent it.” WorldWayLooksDoeImportantLyingFictionRichMarkImportant ThingsComplicatedQuotationsBlundersQuotation Marks Author:Sergio Chejfec
“Nostalgia for people, cultures, everything. There's an ability to use these marks to note things that are erased, deleted. Traces are a species of history, of evidence. It's a way for the way the narrator to construct a semblance of self, even though all of this creates a deception, a way to think of one's traces as a real way to define oneself. The trace is fallible, impermanent. It's one of the motives I had in mind throughout the text.” PeopleThinkingWayMindRealSelfUseCultureAbilityEvidenceMarkNotesSpeciesOneselfNostalgiaDeceptionMotiveConstructsNarratorsSemblance Author:Sergio Chejfec
