“A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.” KnowsWantMayStillsIdeasMomentsReadingNextUnderstandingLevelsReaderUltimateInfiniteDepthNo IdeaThat MomentDensityFluctuation Author:Sergio Chejfec
“Like when you pick up a book and you don't realize what type of text it is - it could be an essay, a novel, a biography - and at one point you realize you don't know where, as a reader, you want to be. Where are you going with this text? What is the goal? How are you supposed to interpret what you're reading? And people's responses vary - some dislike it, and are put off by the confusion, the lack of comprehension.” PeopleKnowsWantBookReadingGoalRealizingNovelTypeReaderPicksResponseConfusionDislikeBiographiesEssaysVaryComprehension Author:Sergio Chejfec
“When I use a name or place, I want to leave the reader open to the waterfall of determinacy that it may provoke. And I don't know, but I must mention the name Borges. I try to mention it in every one of my works. It's a mark, a stamp, a sort of homage to Argentinidad. But it's an homage that works through pat phrases, those stock images that populate his work: the night, labyrinths, libraries. That is, I don't want simply to pay homage to Borges, but rather the contrary: to recall his commonplaces.” KnowsWantTryingMayUseNightNamesPayReaderMarkLibraryContraryPhrasesWorking ItRecallsProvokingStampsCommonplaceLabyrinthHomageWaterfallsBorges Author:Sergio Chejfec
