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Sergio Troncoso

Sergio Troncoso Quotes

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Famous Sergio Troncoso Quotes

“The either/or proposition that forces you to choose between your community and, say, your country has never been true. The very skills we learn to cross borders within ourselves help us to cross borders toward others outside our community.”

“I held Angie Luna in that room for hours, and I remember the different times we made love like epochs in a civilization, each movement and every touch, apex upon abyss. In the luxury of our bed, we tried every position and every angle. I explored the curves on her body and delighted in seeing the freedom of her ecstasy. Her desperate whispers and pleas. I told her I loved her, and she said she loved me too. We lay in bed with our limbs entangled, in a pacific silence that reminded me of existing on a beach just for the sake of such an existence. I couldn't imagine the world ever becoming better, and for some strange reason the thought slipped into my head that I had suddenly grown to be an old man because I could only hope to repeat, but never improve on, a night like this. I finally took her home sometime when the interstate was empty, and the bridges seemed to lead to nowhere, for they were desolate too.”

“Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer. I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.”

“A group of ten prisoners from Dachau, I was with them, we hid in the forest to wait for the Americans. The Germans had already left everything behind. We had food but no weapons. For days we could hear bombs exploding around us. We just wanted to survive long enough for the Americans to control the territory. We didn’t want to die. At that point, our prison uniforms were the only things to keep us from being shot on the spot by the Americans. That was all we had. Who would the Americans believe? Real prisoners or guards dressed as prisoners? Those devils might even say we were the Germans. This was our nightmare.”

“It’s a great honor, m’ijo. We know that. I’m sure everyone in Ysleta is proud of you. But this is who you are," she said, for a moment scanning the dark night air and the empty street. A cricket chirped in the darkness. "God help you when you go to this ‘Havid.’ You will be so far away from us, from everything you know. You will be alone. What if something happens to you? Who’s going to help you? But you always wanted to be alone; you were always so independent, so stubborn." "Like you.”

“Julia, is everything all right?” her father said in a raspy voice. “It’s three in the morning, m’ija.” “I’m sorry. I have to talk to you; it’s something very important. Papá, Mamá, I’ve made a decision, and I wanted to share it with you. I’ve decided to convert to the Muslim religion.” “What?” Pilar screamed. “Are you out of your mind?” “Julia, what are you saying?” “I want to be a Muslim. I’ve even chosen a new Muslim name, Aliyah.” “Julia, are you drunk?” “No, Papá, I’m not drunk. I’ve thought about this for a very long time. I think it’s the right thing for me, a way to follow God.”

“But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme!”

“A good writer should be able to communicate to the reader, 'I know your life. I know what you have truly experienced. It’s not right or wrong. It’s survival. It’s making mistakes, and trying to redeem yourself. It’s imperfections, and trying to make yourself better. It’s outrages, and crimes, and insults, which often are not righted, which you have to fix yourself, in your own mind, in your own heart, so that you are not poisoned'.”