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Simon Unwin Biography

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“Metaphor is one of the mechanisms by which our imaginations assimilate the world. We give sense to things through comparison. We theorise about things we are trying to understand and describe by alluding to characteristics they share with other things. We create new things by emulating the familiar. The attraction of metaphor is not exclusive to our attempts to make sense of the world through words. Thousands of years ago, architectural construction originated in metaphor. Sometime in the distant past, we began consciously constructing places as lasting metaphors for those ephemeral places we make just by being in the world or adopt in our natural surroundings.”

“…we use metaphor to help portray an integrated sense of the world to ourselves and to each other. Sense is different from truth, even though we might sometimes think of them as being the same. Where ‘truth’ claims to be absolute, ‘sense’ recognises relativity…”

“The metaphors of architecture are protean ghosts haunting a many roomed labyrinth. They morph and fuse, subtly mutating perceptions; like distorting glass. When you look more closely you realise that the labyrinth of architectural ideology is ruled by those protean ghosts.”

“All architecture is, metaphorically, a shadow cast on a cave wall. Architecture is a version of the truth – a version of sense – proposed by the architect and realised in the physical form of buildings and the identification of places for inhabitation.”

“Both metaphor and simile depend on our innate capacity for seeing correspondences. Such is an essential part of our ability to make sense of the world. Observing (perceiving) that ‘this resembles that’ (in abstract as well as visible ways) is an intellectual process central to the narratives we spin about our lives, about others, about natural processes, about any spiritual (religious) beliefs we might have. We use this intellectual process seriously in trying to explain things, and unselfconsciously in our everyday language. It is also an essential trait of humour.”

“We develop our architecture through metaphor. In the distant past we looked to those places we recognised and experienced in nature for ideas – the shelter of a cave, the shade of a tree, the original refuge of the womb, our own proud vertical stance and point of view, the communal circle we make with our friends in a forest clearing… – and sought to emulate them in our architecture.”