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Victor LaValle

Victor LaValle Books

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Big Machine

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Lone Women

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The Changeling

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“Pepper woke up thinking of butts. And nothing else. Ladies' butts. Skinny butts, big butts, saddlebag butts, flabby and firm butts, the kind that sit so high they seem like part of the woman's back, the kind that ride low and form a UU just above the thighs like in the old television commercials for Hanes Underalls, butts that wiggle and butts that jiggle, sagging butts and robust butts, butts that hardly make an impression under a pair of jeans; sidewinder butts and trumpet butts -- the ones so meaty they actually spread out until they appear to be a woman's thighs (ass so fat you can see it from the front), butts as knotty as acorns, butts as smooth as a slice of Gouda, butts with pimples and butts with cellulite, the kind that have pockmarks or red splotches, butts with tattoos and butts with bullet scars. Butts you can cup in your warm hands. Butts and butts and butts. In other words, Pepper woke up horny.”

“Randolph Maddix, a schizophrenic who lived at a private home for the mentally ill in Brooklyn, was often left alone to suffer seizures, his body crumpling to the floor of his squalid room. The home, Seaport Manor, is responsible for 325 starkly ill people, yet many of its workers could barely qualify for fast-food jobs. So it was no surprise that Mr. Maddix, 51, was dead for more than 12 hours before an aide finally checked on him. His back, curled and stiff with rigor mortis, had to be broken to fit him into a body bag.” THE NEW YORK TIMES April 28, 2002”

“But when Dorry reached the top of the fence, she didn’t hop over. Instead, she perched herself up there, in a crouch, like a gargoyle at the top of a building. Despite the nightdress the barbed wire was digging into her soles, but her face showed no pain. No exhaustion. No worry. Dorry had balanced herself in that crouched position and then, even more remarkable, she stood. Because it was night, the dull silver fence was practically invisible, so the old woman seemed to be floating eight feet above the concrete court. Dorry levitated.”

“Queens, New York. The most ethnically diverse region not just in the United States, but on the entire planet... In Queens, you will find Korean kids who sound like black kids. Italians who sound like Puerto Ricans. Puerto Ricans who sound like Italians. Third-generation Irish who sound like old Jews. That's Queens. Not a melting pot, not even a tossed salad, but an all-you-can-eat, mix-and-match buffet.”

“Men always want to die for something. For someone. I can see the appeal. You do it once and it’s done. No more worrying, not knowing, about tomorrow and tomorrow and tomorrow. I know you all think it sounds brave, but I’ll tell you something even braver. To struggle and fight for the ones you love today. And then do it all over again the next day. Every day. For your whole life. It’s not as romantic, I admit. But it takes a lot of courage to live for someone, too.”

“William Kowalski is the kind of storyteller you don’t see quite enough these days. The yarn spinner with a generous soul. The Hundred Hearts is a moving, humane adventure about the price of personal connections and the costs of sacrifice. I tore through this bad boy in two short nights.”

“Jesmyn Ward is an alchemist. She transmutes pain and loss into gold. Men We Reaped illustrates hardships but thankfully, vitally, it's just as clear about the humor, the intelligence, the tenderness, the brilliance of the folks in DeLisle, Mississippi. A community that's usually wiped off the literary map can't be erased when it's in a book this good.”

“Why do any of us act the way we do? Is it our beliefs or our biology that shapes us? Lauren Grodstein considers this eternal question through the story of Andrew Waite, scientist, father, widower, struggling to raise two daughters, living with the ghost of his wife, facing a test of his faith in science. There are no easy answers here, just the honest complexity of human beings trying their best to be good people. The Explanation for Everything is moving, beautiful, and wonderfully funny.”