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You Are Here (For Now): A Guide to Finding Your Way

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Adam J. Kurtz

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“So it is a grace and a gift from God to excel in your work. It is another gift from God to reap the benefits of excelling in your work. Though they usually go together (but not always), the two must not be confused, and the order of the two must never be reversed. Doing this will enable us to keep our priorities right where they are supposed to be: "A good name is rather to be chosen than great riches, and loving favour rather than silver and gold" (Prov. 22:1).”

“One of the great accomplishments of the Reformation was the restoration of the idea of calling or vocation in every lawful endeavor. This abolished the old sacred/secular hierarchy, where it was assumed that if you were really sold out for Jesus you would be in a nunnery, or some other place that was equally high-minded. Being a merchant was kind of a tragic necessity, but somebody had to bring in the tithes. Unfortunately, this medieval mistake is creeping back in, having made great inroads in the evangelical world. What do people who are "sold out for Jesus" do now? We now call it "full time Christian work." But what other kind is there?”

“Interestingly, we instinctively chase after pleasure believing it to be the source of sustainable happiness. Many of us spend most of our time and energy chasing pleasure, sometimes enjoying flow, and once in a while, we think about higher purpose. We should be doing the reverse. This is the most logical path towards sustainable happiness, at least in relation to our work.”

“Neoliberalism insists that if we work hard enough, we can earn as much money as anyone else. Of course, the concept of meritocracy is integral to neoliberalism and erases the reality of capital itself, that capitalism is not just material capital but also, importantly, social and cultural capital. Without these forms of capital, (p. 77) one cannot, in fact, “succeed” in a capitalist culture. One obvious example is the art world, where one can only have their work shown in a gallery if they have connections to that gallery (galleries do not, for the most part, accept unsolicited submissions). All the cash in the world can’t create the generations of social connections of a middle-class family, whose circle might include art collectors, gallerists, critics, and artists. It is also the values and unspoken rules of the ruling class that distinguish who is allowed in and who is not.”