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Quote by Diane Samuels

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Kindertransport: A Drama

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Diane Samuels

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“She knew how to swing her legs on that hyphen that defined and denied who she was: Iranian-American. Neither the first word nor the second really belonged to her. Her place was on the hyphen and on the hyphen she would stay, carrying memories of the one place from which she had come and the other place in which she must succeed. The hyphen was hers-- a space small, and potentially precarious. On the hyphen she would sit, and on the hyphen she would stand, and soon, like a seasoned acrobat, she would balance there perfectly, never falling, never choosing either side over the other, content with walking that thin line.”

“The majority of people who work in the arts will identify themselves as liberal to left wing, often radical left wing. This is going from the poorest artist to the highest paid curators in institutions....But if this is the case—that we are all in a field where everyone is left-wing values then why are we all agreed that the art world is a giant piece of capitalist shit that is relying on private capital that exploits its workers, that exploits it's artists, that relies on unpaid labor? This to me is living proof that art can't change the work and we need to organize. Artists need to realize how little power we all actually have and how power needs to be built. It doesn't come naturally and isn't a divine gift you get by being an artist. --Kerry Guinan”

“The only true solutions to complex systemic problems are piecemeal, multi-pronged answers, and they will vary wildly from forest to desert, from city to city, and even between neighborhoods within a single city. Life is messy and civilization even messier. If your answer is ever any less messy, you’re fooling yourself.”