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Quote by Kem

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Tales Of A Chocolate Smuggler

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Kem

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“It’s a secondhand world we’re born into. What is novel to us is only so because we’re newborn, and what we cannot see, that has come before- what our parents have seen and been and done- are the hand-me-downs we begin to wear as swaddling clothes, even as we ourselves are naked. The flaw runs through us, implicating us in its imperfection even as it separates us, delivers us onto opposite sides of a chasm. It is both terribly beautiful and terribly sad, but it is, finally, the fault in the universe that gives birth to us all.”

“إن اللين في القوة الرائعة أقوى من القوة نفسها، لانه يظهر لك موضع الرحمة فيها والتواضع في الجمال أحسن من الجمال، لانه ينفي الغرور عنه. وكل شيء من القوة لا مكان فيه لشيء من الرحمة فهو مما وضع الله على الناس من قوانين الهلاك”

“He took the pen and book from her and faltered. “Just write anything – anything trivial that won't matter if it comes to pass.” “Erm...” God, he was useless at this. Elena's hair turned blue. “Hey!” “What?” “I don't want blue hair! What the hell did you write that for?” “It seemed trivial.” “Blue hair – blue? That's trivial? What if I can't undo it?” Karl stared at her blankly. His throat went dry. He felt like a total dickhead, but writing really wasn't his strong point, so he went for humour instead and flashed her a grin. “I was going to write that all your clothes fall off, but figured you may have a problem with that. This was the second thing that came to mind.” (Karl and Elena)”

“Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.”