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Quote by Franklyn Ajaye

“On a good night, I'm just into the flow and seeing the pictures and words in my mind clearly before I say them. On a bad night, which to be honest are nowhere near as bad as when I was starting out, I just concentrate on performing the routines correctly. I focus on my delivery.”

Quote by Franklyn Ajaye

Author

Franklyn Ajaye, born on May 13, 1949, is a renowned comedian. His career began in the 1970s, and he gained widespread recognition in the comedy industry with his unique sense of humor and exceptional performance skills. more

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“I have no desire to be hip to the latest black slang and do the stereotypical black thing. I was a Richard Pryor fan, and I have used profanity in my act. But when it becomes a whole thing that defines blacks, we're limiting ourselves. The enemy is us.”

Whole Used Desire Black Enemy Fans Hips Profanity Slang

Author:Franklyn Ajaye

“It's better to play to the host as though in a real conversation and let the audience listen in- which they are.”

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Book:Comic Insights: The Art of Stand-up Comedy

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“Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.”

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Source: Comic Insights: The Art of Stand-up Comedy

“I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.”

Reason Audience Television Studios Advise Nightclubs

Book:Comic Insights: The Art of Stand-up Comedy

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“Evaluate every performance on: stage presence, concentration, delivery, material and lessons learned.”

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“Bombing teaches you how badly you want to become a comedian. Because unless it's a burning desire, you'll quit when the consistent bombing becomes too much to take.”

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Book:Comic Insights: The Art of Stand-up Comedy

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“Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at.”

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Book:Comic Insights: The Art of Stand-up Comedy

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“Ideally, you want to be in a fifty-fifty power-sharing arrangement with the audience - both of you are there for a mutually enjoyable experience.”

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Book:Comic Insights: The Art of Stand-up Comedy

Source: Comic Insights: The Art of Stand-up Comedy

“Walking back and forth also helps by creating the illusion that you are thinking of the routines on the spot, giving your performance a more spontaneous feeling.”

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Book:Comic Insights: The Art of Stand-up Comedy

Source: Comic Insights: The Art of Stand-up Comedy

“You can't wait forever for an audience to get the joke, but you should give them at least two seconds to join in before you go on to the next one.”

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Book:Comic Insights: The Art of Stand-up Comedy

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