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Quote by José Mauro de Vasconcelos

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درخت زیبای من

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José Mauro de Vasconcelos

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“How does a hardworking sixty-four-year-old-woman end up without a house or a permanent place to stay, relying on unpredictable low-wage work to survive? Living in a mile-high alpine wilderness, with intermittent snow and maybe mountain lions in a tiny trailer, scrubbing toilets at the mercy of employers who, on a whim, could cut her hours or even fire her? What does the future look like for someone like that?”

WorkPovertyCapitalismNomadland
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“At all times it is a bewildering thing to the poor weaver to see his employer removing from house to house, each one grander than the last, till he ends in building one more magnificent than all, or withdraws his money from the concern, or sells his mill, to buy an estate in the country, while all the time the weaver, who thinks he and his fellows are the real makers of this wealth, is struggling on for bread for his children, through the vicissitudes of lowered wages, short hours, fewer hands employed, etc. And when he knows trade is bad, and could understand (at least partially) that there are not buyers enough in the market to purchase the goods already made, and consequently that there is no demand for more; when he would bear and endure much without complaining, could he also see that his employers were bearing their share; he is, I say, bewildered and (to use his own word) "aggravated" to see that all goes on just as usual with the millowners. Large houses are still occupied, while spinners' and weavers' cottages stand empty, because the families that once filled them are obliged to live in rooms or cellars. Carriages still roll along the streets, concerts are still crowded by subscribers, the shops for expensive luxuries still find daily customers, while the workman loiters away his unemployed time in watching these things, and thinking of the pale, uncomplaining wife at home, and the wailing children asking in vain for enough of food--of the sinking health, of the dying life of those near and dear to him. The contrast is too great. Why should he alone suffer from bad times?”

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“Görüyorsun ya, ailede herkes genellikle iyi. Öyleyse neden küçük İsa bize yakınlık göstermiyor? Dr. Faulhaber'in evine gidersin masanın bir sürü şeyler tepeleme dolu olduğunu görürsün. Villas-Boaslarda da öyle. Dr. Adaucto Luz'dan hiç söz etmeyelim." İlk kez, Totóca'nın ağlamak üzere olduğunu gördüm. "Bu nedenle, küçük İsanın yalnız iş olsun diye yoksul doğmak istediğini düşünüyorum. Sonra da, yalnızca zenginlerin zahmete değdiğini görmüştü... Neyse, bırakalım bunları. Belki söylediklerim çok günah.”

ChristianReligionPovertySadFairness
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“The gunshots became louder after Joey died. Isaac’s been hearing them on the southeast side for years, but before Joey was murdered they were nothing more than loud snaps in the night. Now they are real. Bullets that hit something. A car door. A window. A ball. A child playing with her Lincoln Logs in the living room. But most times they hit nothing. Nothing according to the news. All these guns and all these bullets—only occasionally someone shot or killed. Imagine this place if the shooters had aim.”

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