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Quote by Madeleine K. Albright

“Thomas Edison hailed him as the "genius of the modern age”; Gandhi, as a “superman.” Winston Churchill pledged to stand by him in his “struggle against the bestial appetites of Leninism.” Newspapers in Rome, host to the Vatican, referred to him as “the incarnation of God.” In the end, people who had worshipped [Benito Mussolini's] every move hung his corpse upside down next to his mistress’s near a gas station in Milan.”

Quote by Madeleine K. Albright

Book:Fascism: A Warning
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Fascism: A Warning

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Madeleine K. Albright

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“The Fascists grew because millions of Italians hated what they were seeing in their country and were afraid of what the world was witnessing in Bolshevik Russia. In speech after speech, Mussolini offered an alternative. He urged his countrymen to reject the capitalists who wanted to exploit them, the Socialists who were bent on disrupting their lives, and the crooked and spineless politicians who talked and talked while their beloved homeland sank further into the abyss. Instead of pitting class against class, he proposed that Italians unite—workers, students, soldiers, and businesspeople—and form a common front against the world. He asked his supporters to contemplate a future in which those who belonged to his movement would always look out for one another, while the parasites who had been holding the country back—the foreign, the weak, the politically unreliable—would be left to fend for themselves. He called on his followers to believe in an Italy that would be prosperous because it was self-sufficient, and respected because it was feared. This was how twentieth-century Fascism began: with a magnetic leader exploiting widespread dissatisfaction by promising all things.”

GovernmentFearLeadersFascismItalyFascistsItaliansBenito Mussolini
Book:Fascism: A Warning
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“Μου αρέσει η Ιταλία; Ιδού το ερώτημα. Είχα πάντα την αίσθηση ότι ήταν τρομερή χώρα. Η απερίγραπτη ομορφιά της συνοδεύεται με τις πιο ζοφερές σκέψεις. Όπου και να πας θα βρείς ίχνη από αίμα και δάκρυα. Για να είμαι ειλικρινής, αυτό ισχύει παντού στον κόσμο, εδώ όμως είναι πολύ πιο εμφανές απ ότι στις άλλες χώρες. Καθώς περνούσαν οι αιώνες, έρχονταν κι έφευγαν πόλεμοι και τυραννίες, τρομερές θεομηνίες, αμέτρητα βάσανα στα παλάτια και στα καλύβια. Διακρίνεις κάτι το ανήλεο στον γαλανό ουρανό που θεώρησε απαθής όλα αυτά. Σε ότι αφορά τον κόσμο, μπορείτε να διακρίνετε αιώνες οδύνης ζωγραφισμένους επάνω σε αυτά τα πρόσωπα και να τους ακούσετε στη φωνή των ανθρώπων. Ναι, ναι, μου αρέσει η Ιταλία. Αλλά με την ευγενέστερη σημασία της λέξης.”

TravelItaly19th CenturyItaly Journey
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“Norcia is an ancient town with Roman ruins and Renaissance structures that exists like a flat island in a sea of more mountainous towns. It has survived countless strong earthquakes, including two particularly devastating ones a few years back. You can still see some buildings across town in disrepair and chunks of structures missing. But in the intervening years, as the town has rebuilt, it has also taken on a magical air of rebirth. Old buildings mixed in with new patches. The enthusiasm of seeing tourists streaming through again is palpable. You can still see the remnants, but it's clear that even natural devastation can't remove its charm. Parts of the restaurant's back wall have crumbled, but it now has an air of bohemian clutter where plants have taken root in the fractures.”

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“Walking around Spoleto is like stepping into an old Italian advertisement bursting with color. Little cafés dot the streets and are already filing up. The shops and houses are all painted with faded versions of sunset hues--- hazy blue, orangey salmon, marigold, and dusty pinks. They all have large rounded black-and-blue shutters and equally archlike stone entrances where large wooden doors are nestled. Streetlamps jut out from the sides of buildings with misty, globe-shaped balls attached to twirling wrought iron.”

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“It is a field as big as a football stadium carpeted every inch with bright-red poppies. The red is like the kind of color that you see only in oversaturated photos, the kind that doesn't seem to truly exist in real life. Thousands and thousands of poppies stretch out in front of us, one right after the other, as though if you squinted, it would look like a giant red blanket had been laid on top of thousands of gangly green weeds. Dense olive trees line the edges of the field, and behind them, sloping green hills take over the skyline against a cloudless blue sky. I bend down and pick up a poppy, its inky-black center surrounded by delicate red petals clustered and fanning out. It is all so dreamy.”

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“But the Scottish patron on tour took home with him from Italy much more than his cargo of paintings, sculptures and antique marbles, the tangible souvenirs of his excursion to the south. He took home as well a sophistication of taste and an appreciation of the virtues of classicism which only contact with the Mediterranean inheritance could impart. Only sixty years before the building of the pedimented façade of Duff House in Banff, with its urns and roof-line statuary more in keeping with a southern sky, the typical laird's house in Scotland was still inspired by an economy of display and a strength of fabric deriving from less settled times. The 18th century saw the transportation to Scotland of the idea of the Italian palace, and Hopetoun or Floors or Chatelherault owe their existence to this inspiration.”

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