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Mir More Ljubav

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Djura Kelj

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“But the Scottish patron on tour took home with him from Italy much more than his cargo of paintings, sculptures and antique marbles, the tangible souvenirs of his excursion to the south. He took home as well a sophistication of taste and an appreciation of the virtues of classicism which only contact with the Mediterranean inheritance could impart. Only sixty years before the building of the pedimented façade of Duff House in Banff, with its urns and roof-line statuary more in keeping with a southern sky, the typical laird's house in Scotland was still inspired by an economy of display and a strength of fabric deriving from less settled times. The 18th century saw the transportation to Scotland of the idea of the Italian palace, and Hopetoun or Floors or Chatelherault owe their existence to this inspiration.”

ItalyClassicismGrand TourLairdsScottish ArchitectureDuff House
Book:Scots in Italy in the 18th Century
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“He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me. My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss. “Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts. “Oh,” I said, “Oh.” He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101 my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring … “Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh! He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self. Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.”

ParisRomeEroticaItalyAlpha MaleSubmissiveMediterraneanDark Erotic RomanceErotic Romance Series
Book:The Shaming of Gwendoline C
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“There is an electricity in the air that I feel every time I come to Italy. It enraptures your soul with its incredible history, a sense of the unknown, and a yearning for exploration. But there is also a renewed feeling of life, as if you are born again as your better self, a more authentic self. Somehow your core values are restored, and you are no longer afraid to believe in the things you cannot see.”

ValuesNatureHistoryFantasyMagicElectricityItalyPleiadesSeven SistersRosella Testa
Book:The Lost Pleiades: Seven Sisters and the Sibyls
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“In awe at the sheer beauty of the setting, Celina stepped onto the balcony, which overlooked a terrace garden of fruit trees. "It's so beautiful here." She breathed in, catching the scent of fruit trees below. "What type of fruit are you growing?" "Mostly lemon," Sara said. "But also olive, grapefruit, orange, fig, and pomegranate. With our temperate climate, most everything thrives." Celina peered over the balcony's edge. To one side, a cliff dropped to the sea, while on the other, a terrace sprawled along the hilltop perch. Flaming pink bougainvillea and snowy white jasmine curled around the corners of grapevine-covered archways that framed the shimmering ocean view.”

FlowersItalyFruit TreesNaplesOcean View
Book:The Chocolatier
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“¿Por qué te enamora mi faz de tal suerte que no te vuelves hacia el hermoso jardín que florece bajo los rayos de Cristo? Allí están la rosa en que el Verbo divino encarnó; y allí están los lirios por cuyo aroma se descubre el buen camino.”

LiteratureItalyClassic LiteratureFlorenceDanteDivina ComediaItalian TuscanLate Middle Ages
Book:The Divine Comedy, Volume III: Paradiso, Part 2: Commentary
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“Stefano put an end to this tirade, which was developing rather nicely, I thought, by picking me up off the bench and lifting me till my eyes were on a level with his. My feet dangled helplessly, a good ten inches off the ground. "Just like a man," I said, somewhat breathlessly, because his hands were squeezing my ribs. "When you are losing an argument, you resort to physical violence!" "Oh no," Stefano said. "The physical violence is only a preliminary. This is how I counter arguments such as yours." He kissed me.”

RomanceItalyEnemies To Lovers
Book:Wings of the Falcon
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