Quotessence
Home / Quotes / Quote by William Greider

Quote by William Greider

“The brilliant creative core of capitalism ... is the story the entrepreneurs and capital investors tell themselves about the future. How they intend to alter it, what they expect to gain in return, where they will raise the capital to accomplish their vision. Many of their stories turn out to be flawed or mistaken, of course, but the capacity to envision a set of future events and then act to fulfill them is a central source of capitalism's strength and its dominance of society.”

Quote by William Greider

Work

The Soul of Capitalism: Opening Paths to a Moral Economy

This work delves into the philosophical and ethical dimensions of capitalism, proposing strategies for creating a more ethical and sustainable economic system. more

Author

William Greider
William Greider

William Greider, born on August 6, 1936, is an American journalist known for his investigative reporting, particularly on political and economic issues. He is recognized for his in-depth analysis and exposure of the shortcomings of power structures. His work has had a profound impact on revealing the misdeeds of finance and government. more

You May Also Like

“Philistine - a word which I understand properly to denote indifference to the higher intellectual interests. The word may also be defined, however, as the name applied by prigs to the rest of their species.”

“My husband is not American. He was born in Brazil, where he grew up under a filthy, corrupt dictatorship. In his twenties, he moved to Europe, where he lived for a while under various socialist democracies. He spent a few years on a kibbutz in Israel, living out a utopian experiment in communal existence.”

“The poet should touch our heart by showing his own”

“Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.”