Quotessence
Home / Quotes / Quote by Paula Modersohn-Becker

Quote by Paula Modersohn-Becker

“The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.”

Quote by Paula Modersohn-Becker

Work

Paula Modersohn-Becker, the Letters and Journals

This volume compiles the letters and journal entries of Paula Modersohn-Becker, a pioneering German painter associated with the early Expressionist movement. The writings document her thoughts on art, her experiences in the artist colony of Worpswede, and her reflections on creativity and personal relationships. The collection provides a firsthand perspective on the challenges and aspirations of a female artist in the late 19th and early 20th centuries, revealing her evolving artistic vision and the influences that shaped her work. more

Author

Paula Modersohn-Becker
Paula Modersohn-Becker

Paula Modersohn-Becker was a German Expressionist painter known for her unique style and exploration of female themes. Her short but vibrant artistic career left a profound mark on art history. more

You May Also Like

“I love color. It must submit to me. And I love art. I kneel before it, and it must become mine. Everything around me glows with passion. Every day reveals a new red flower, glowing, scarlet red. Everyone around me carries them. Some wear them quietly hidden in their hearts. And they are like poppies just opening, of which one can see only here and there a hint of red petal peeking out from the green bud.”

“It is my experience that marriage does not make one happier. It destroys the illusion that has been the essence of one's previous existence, that there existed something like a soul-mate. The feeling of not being understood is heightened in marriage by the fact that one's entire life beforehand had the aim of finding a being who would understand one. But isn't it better to exist without such an illusion and look this great lonely truth straight in the eye?”

“I know I shall not live very long. But why is that so sad? Is a festival more beautiful because it lasts longer? My sensuous perceptions grow sharper, as if I were supposed to take in everything with the few years that will be offered to me ... And now love will still blossom for me before I depart, and if I've painted three good pictures, then I shall leave gladly with flowers in my hand and my hair.”

“I paint; I'm a woman but I don't paint china. The first time I got a canvas I felt free. Art is overreaction to life. I love these early drawings; they show my innocent beginnings in a small town. Life is a sentence -- you live it out. Maybe these portraits jump out at you too much. People like things that conform.”

“In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us. I often think that all I want to do now is to avoid suicide, accidental or otherwise. Other than that, I think living on the edge is what drives my work and me beyond a certain point. The artist lives with anxiety. When you finally reach a plateau of achievement, there comes a new anxiety - the hunger to push on still further. That angst is what makes you go forward.”