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Quote by Reem Gaafar

“Fatima was dragging her feet. She hated houses of mourning. And the only thing worse than a house of mourning was a house that was waiting for a body to appear because without a body, the actual mourning could not begin or end.”

Quote by Reem Gaafar

Work

A Mouth Full of Salt

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Reem Gaafar

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“It was the season Ching Ming--clearness and brightness—when spirits returned from the netherworld, essences of all sorts abounded and filial sons journeyed home to their ancestral shrines to pay homage. The Wang widow, Siao lan, whose husband died on their wedding night, was on her third and final year of mourning. Her weeping-singing rent asunder the twilight calm, "O master, thou are cruel. O father, curse the day of my birth. Fate is a playful warlock. One day the fresh young bride, tomorrow, an empty-bowl widow.”

“One at a time, each of the crow left the circle and hopped into the surrounding thicket, emerging with a small twig or a piece of dried grass. One by one, they placed their offering on top of the body, hiding the twisted wings and the open beak that lay glinting like an obsidian shard in the low sun. More and more crows began to arrive, each bringing, something to lay on the corpse, until the clearing was a sea of glossy backs. You'd told me once that crows mourn their dead. You'd never told me how. Each bird laid their gift atop the dead crow and flew off. I did not yet know that, sometimes, it is impossible to mourn in the presence of others. When all the crows had left their offerings, the crowd dissolved into the twilight.”

“The Mourner by Stewart Stafford Waxen candles flickered, burning, I found myself alone in mourning, Instinct urged me to turn around, Insistent feet kept walking down. A lonely casket at the altar lay, Not a soul came to mourn or pray, A surge of pity pierced my heart, Incense bade me dearly depart. Empty pews where no one stayed, I slowly illuminated the coffin shade, Blackout! Icy hands gripped tight: “Welcome to our endless night!” © Stewart Stafford, 2023. All rights reserved.”

“Mâini bătătorite de sapă, de munci grele, mâini care luaseră pe încetul înfățișarea și culoarea pământului uscat și crăpat. Acum, reci, se odihnesc: nu se vor mai clinti niciodată... Acolo, în țărână, peste ani de zile, când vor rămâne numai un schelet deșirat, oasele mâinilor au să se mai odihnească încă, pe gratiile coastelor, împreunate, neclintite, așa cum niciodată nu s-au odihnit.”